Agency

In the yard, not too far from the car

A favorite scene from Jaws. I feel like this is a really interesting example of indexicality. Brody and Ellen are clearly aware of (r)-0 in coda position, though they probably wouldn't call it that, and they seem to have some idea of what it indexes and joke about that with each other.

Earl Sweatshirt x MOCA

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Earl Sweatshirt in conversation with his mother, Cheryl Harris.

Posted by Monique Queen on April 29, 2021

Tags:
Politics and Policy;
African American Language;
Power;
Agency

Interview with rapper Angel Haze

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Artifact 2 of 2 in an analysis of style-shifting as a function of interviewer race. This interview was analyzed as part of a project on Coronal Stop Deletion in the speech of Hip Hop artists.

Naked mole-rat colonies have their own dialects—selected by their monarch

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Rodents exhibiting use of dialect in verbal communication. Would be cool to index dialects in naked mole rats..

Posted by Maya Foster-Wexler on April 22, 2021

Tags:
Dialect;
Indexicality;
Agency

Casual speech in Tamil

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Here is a podcast in Tamil (A Dravidian language spoken mainly in South India) where four people share stories from their childhood. We can see how topic (childhood stories), audience (internet listeners), and the speakers themselves (through their own agency) affect style.

Posted by Hrishee Shastri on March 6, 2019

Tags:
Style-shifting;
Agency

Word Choice - Friends

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In this episode Joey thinks that the way he speaks or writes is what matters. He starts to think this way when someone told him he should change. He wants to change because of important matters, like writing a letter for an adoption agency. Joey changes his word choices to seem smarter and more distinguished. He deviates from his regular language or vocabulary and it doesn't exactly work out for. What I take from this is that people should embrace their language and personalities with it and not change just because you want to be viewed a different way in society.

Posted by Tatiana Smith on June 25, 2018

Tags:
Lexicon;
Agency;
Indexicality

Ad Meter 2016: Jeep Super Bowl Portraits

The commercial exemplifies prosody, indexicality and performativity. The speaker's poetic fluctuations are amplified by literary devices such as alliteration making prosody evident. By pointing to the individual (and eventually concluding "we don't make jeep. You do"), indexicality is evident. Performativity is also relevant because Jeep constructs identity in its audience by giving the audience something to identify with (via speech and photographs).

Posted by Robyn Payne on June 27, 2017

Tags:
Indexicality;
Agency;
Prosody;
Indexicality

Performativity in Home Alone

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This is a clip from the movie Home Alone. Kevin goes grocery shopping and while at the register he talks to the cashier as if he is an adult. Kevin also pulls out coupons just as an adult might do, and tells the cashier the toys are “for the kids.” Kevin is using performativity in order to make himself appear as an adult shopping alone at the store before the cashier starts asking him about his real age and why he is alone.

Posted by Emily F on March 9, 2017

Tags:
Agency;
Youth;
Crossing

Word association with a person

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Watch as Fox News anchors talk about Bernie Sanders and spend almost forty percent of the conversation about him, trying to fit in the word Socialist as many times as possible to connect the word with this presidential candidate.

Posted by Hayden Ball on July 21, 2016

Tags:
Politics and Policy;
Agency

Speech Community Project

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Students of UNCC discuss their experiences within different speech communities, and how different ways of speaking separate each of us into different groups.

Posted by Kristi Sparks on March 5, 2016

Tags:
Communities of Practice;
Agency;
Indexicality

Judith Butler on Performativity

Philosopher and feminist theorist Judith Butler describes performativity as “that reiterative power of discourse to produce the phenomena that it regulates and constrains.” She has largely used this concept in her analysis of gender development. Working in the fields of feminist, queer, and literary studies.

Posted by Shane Bessette on February 25, 2016

Tags:
Gender;
Sexual Orientation;
Ideology;
Agency

Baltimore Barbie

An SNL skit profiling "Sturdy Barbie," a contender for the new line of Barbies with a working-class, Baltimore accent and persona. [Published on 02-08-2016]

Posted by Kara Becker on February 10, 2016

Tags:
Baltimore English;
Socioeconomic Status;
Agency

Hey, I'm running for President Here!

A New Republic article highlighting the New York accents of presidential candidates Donald Trump and Bernie Sanders, with quotes from many linguists suggesting that their accents allow them to construct a positive local authenticity. [Published on 11-14-2015]

Posted by Kara Becker on November 18, 2015

Tags:
New York City English;
Politics and Policy;
Agency

The politics of twisted tongues and loopy lingo

A segment on NPR's The Takeaway looking at the use of regional features by politicians, particularly the positive associations from these accents that may serve a politician's goal of connecting with constituents. [Published on 10-26-2015]

Posted by Kara Becker on October 28, 2015

Tags:
American English;
Politics and Policy;
Agency

MISS KO 葛仲珊 - CALL ME

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Miss Ko is an American-Taiwanese rapper who code-switches in her lyrics, sometimes mid-sentence. It seems like the purpose of her code-switching is to create a "cool" identity. Most of the words or phrases in English are what I would associate with such an identity: references to American celebrities or slang like "main squeeze", "homie", or "holla at me". The bulk of the song is in Chinese, but she supplements English in order to (from my reading) present herself a certain way.

Posted by Gregor McGee on March 17, 2015

Tags:
Mandarin Chinese;
Code-switching;
Indexicality;
Agency

Jamaican Creole - Jesse Royal

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Noisey Jamaica interviews Jesse Royal, living in Kingston. It's interesting to listen to his Jamaican Creole productions as well as the host (Walshy), as he codeswitches rarely, very aware of his video audience who are assumed to speak "standard" English.

Posted by Genevieve Medow-Jenkins on November 4, 2014

Tags:
Jamaican Creole;
Agency;
Indexicality

The Wire: female police officer Kima Greggs

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The character Kima Greggs from the HBO series The Wire, in a scene where she aligns with masculine linguistic practices and other attributes. The character is female and homosexual.

Posted on September 27, 2012

Tags:
Masculinity;
Indexicality;
Agency