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The Xiaochi Scholars

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Amy Egerton-Wiley '13 on the Xi'an City Wall

From the farthest edges of the globe to the inner mechanics of the cell, Reedies have always loved to explore. Since 1977, Reed's study abroad program, run by the indefatigable Paul DeYoung, has sent out students to see world while making sure they come back in time to graduate. Reedies always return with stories to tell; here we present an occasional report of their adventures.

Amy Egerton-Wiley '13 was born and raised in Los Angeles. She fell in love with Chinese literature when she got to Reed, and decided to make it her major in her sophomore year. That spring she spent a semester abroad at Capital Normal, a Reed-approved university program located in Beijing. She chose Capital Normal (over an American-run program) because she wanted a truly Chinese educational experience, but the school's language-learning program, with its heavy emphasis on memorization, was uninspiring. So Amy to turned Beijing into her school: her Mandarin grew stronger with every conversation on a subway train or in a public park.

Class of '16 By The Numbers

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Photo by Leah Nash

Though the summer sun is still shining in Portland, fall semester is fully underway. The last few weeks have seen freshlings transformed from awe-struck new arrivals to awe-struck new arrivals who are behind on their Hum 110 reading.

One of the most remarkable things about the Class of '16 is that there are fewer of them: 320 this year, as compared to an average of 370 over the past three years.

Reedies jazz it up

piano.jpgFor more than 100 years, Reed students have written papers, conducted physics experiments, and even occasionally danced to the sound of jazz. Now a new generation is clamoring for its turn in the spotlight at a storied music club next week.

The Reed College Jazz Ensemble will perform at Jimmy Mak's on Tuesday, May 8, from 6 p.m. to 7:30 p.m. The legendary Mel Brown Septet, with Gordon Lee (Reed's jazz coach) on piano, follows the Reed bands. There will be a $3 cover for the Reed bands and a $6 cover for Mel Brown Septet.

Lee had this to say about how the Reed jazz ensembles have grown exponentially (from two to four) over the last three years: "There is a hunger for these young people to express themselves musically through the American discipline of jazz. There is hope for the future!"

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