Sallyportal: Madly Blogging Reed



Reedies find Horror a Bit Queer in Article for "Film Matters"


Reedies Kerstin Rosero '11, Stephanie Bastek '13, and Isabel Lockhart-Smith (2010-11 exchange student from the University of East Anglia), have published a collaboratively written article on Henri-Georges Clouzot's Les Diaboliques (1955) in the undergraduate film journal Film Matters.

The current issue of the journal focuses on questions of film genre. The article by Kerstin, Stephanie, and Isabel, "Queer Horror: Unearthing Sexual Difference in Les Diaboliques," argues that, through the denial of suture, the manipulation of filmic space, and a disruption of normative gender roles, Clouzot breaks classical conventions of horror, shifting audience expectations by disrupting the predictability of where, exactly, the horror will come from. The film, however, is all the more frightening for robbing the audience of the safety blanket of expectation. The authors term such an unconventional horror a kind of "queer horror," for its subversion of both sexual difference and genre. The three Reedies wrote the piece as a collaborative course assignment in English 328, Film Theory, taught by Becky Gordon, assistant professor of English and humanities, in spring 2011.

Blue Like Jazz unleashes dogma


BLJ_blue_bridge.jpgA six pack of beer as payment for a lesson in how to ride a tall bike? This was the confession made by Marshall Allman, the lead actor in Blue Like Jazz, at an advance screening of this independent film at Reed on Wednesday night (the movie opens around the country today). The preview for students, staff, and faculty included a Q&A at which we learned about Allman's preparation for his role as Don Miller, a person of faith who finds his way from being dogmatic to authentic during his time at Reed College. The character of Don was based upon some real-life experiences of author Don Miller, who audited Hum 110 at Reed and then stuck around as adviser to the student group "Oh, for Christ's Sake!" for a couple of years; he went on to include his Reed interlude in his spiritual memoir, Blue Like Jazz (2003), upon which the film is loosely based. Don was present at the Q&A, along with the director, Steve Taylor, and three of the actors (Allman, Tania Raymonde, and Justin Welborn); they were a genial group and even encouraged the Reed crowd to indulge in a Mystery Science Theatre 3000 viewing of it.