| Dates |
Title |
| Sep–Nov 2022 |
Sasha Wortzel: Dreams of Unknown Islands
|
| Sep–Sep 2022 |
Sarah Gilbert: Breaking and Bending
|
| Mar–Jun 2022 |
Bev Grant Photography 1968-1972
|
| Sep–Dec 2021 |
No Face, No Case: Portraiture’s Breaking
|
| Nov–Dec 2019 |
Give Me the Message! Political posters from Cuba, France, and the United States, 1960–75
|
| Sep–Oct 2019 |
The Autopoets: Roland Dahwen, Tuesday Smillie, Paul Mpagi Sepuya
|
| Apr–Jul 2019 |
Gregg Bordowitz: I Wanna Be Well, Art Institute of Chicago
|
| Feb–Apr 2019 |
Leo Rubinfien: Eyehold to Eyehold
|
| Nov–Dec 2018 |
Stephanie Gervais: Gulalhi
|
| Aug–Oct 2018 |
Gregg Bordowitz: I Wanna Be Well
|
| Feb–Apr 2018 |
Thomson and Craighead: Academy of Saturn
|
| Nov–Dec 2017 |
DORIAN: Rereading Oscar Wilde’s "The Picture of Dorian Gray"
|
| Aug–Oct 2017 |
Self
|
| Jan–Apr 2017 |
Iconoclastic
|
| Oct–Dec 2016 |
Brad Kahlhamer: Nomadic Studio
|
| Sep–Oct 2016 |
Sacha Yanow: Cherie Dre
|
| Mar–Jun 2016 |
Alan Sonfist: Natural History
|
| Dec–Feb 2016 |
ZERO PROJECT: A recent gift to the Reed College Art Collection by the Peter Norton Collection
|
| Sep–Jan 2016 |
Wynne Greenwood: Kelly, New Museum, New York
|
| Sep–Nov 2015 |
Jessica Jackson Hutchins: Confessions
|
| Feb–May 2015 |
E.O. Hoppé: Society, Studio, and Street Photography
|
| Nov–Dec 2014 |
Supports/ Surfaces
|
| Sep–Oct 2014 |
Wynne Greenwood: Stacy
|
| Feb–Apr 2014 |
Qalam, Calligraphy and Islam from the Middle Ages to the Present
|
| Nov–Dec 2013 |
Reality Principle, Construction of a New Life: Soviet Graphic Arts and Photography from the Reed College Art Collection
|
| Aug–Oct 2013 |
Jamie Isenstein : Will Return
|
| Feb–Apr 2013 |
First Hand: Civil War Era Drawings From The Becker Collection, Boston College
|
| Sep–Nov 2012 |
Kara Walker: More and Less
|
| May–Jun 2012 |
Prof. Nicholas Wheeler '55: French Double Harpsichord
|
| Apr–Jun 2012 |
Lorna Bieber: Image Myths
|
| Jan–Mar 2012 |
Bruce Nauman: Basements
|
| Sep–Dec 2011 |
MUSEION: The Reed College Art Collection, One Hundred Years of Generosity
|
| Apr–Jun 2011 |
Lloyd Reynolds: A Life of Forms in Art
|
| Feb–Mar 2011 |
Elspeth Pratt: Nonetheless
|
| Sep–Dec 2010 |
ABSTRACT: Léonie Guyer, Ruth Laskey, Lynne Woods Turner
|
| Apr–Jun 2010 |
Scarecrow: Exhibitionism, Ritual, and Theatricality
|
| Jan–Mar 2010 |
Terry Winters: Linking Graphics, Prints, 2000-2010
|
| Sep–Dec 2009 |
Antoine Catala: Video Portraits for Vertical Televisions
|
| Sep–Dec 2009 |
The Language of the Nude: Four Centuries of Drawing the Human Body, Old Master Drawings from the Crocker Art Museum
|
| Apr–Jun 2009 |
CHINA URBAN: Exploring the Historical and Contemporary Chinese City
|
| Jan–Mar 2009 |
Liza Ryan: SPILL
|
| Oct–Dec 2008 |
David Reed: Lives of Paintings
|
| May–Jul 2008 |
Jess: To and From the Printed Page
|
| Jan–Mar 2008 |
Working History: African American Objects
|
| Sep–Dec 2007 |
Marko Lulic: Unsocial Sculpture / Peter Kreider: Everything to Gain
|
| Jan–Mar 2007 |
Marc Joseph Berg: New and Used
|
| Nov–Dec 2006 |
I want to show you somewhere: Lucien Samaha and Hadley+Maxwell
|
| Aug–Oct 2006 |
Sutapa Biswas: Birdsong
|
| Apr–Jun 2006 |
New Trajectories 2: Expansions
|
| Jan–Mar 2006 |
New Trajectories 1: Relocations
|
| Aug–Sep 2005 |
Mapping Sitting: On Portraiture and Photography
|
| May–Jul 2005 |
Snapshot Chronicles: The Rise of the American Photograph Album
|
| Mar–Apr 2005 |
Feast the Eye, Fool the Eye: Still Life and Trompe L'oeil Paintings from the Oscar and Maria Salzer Collection
|
| Jan–Feb 2005 |
Black Panthers 1968: Photographs by Ruth-Marion Baruch and Pirkle Jones
|
| Aug–Nov 2004 |
A Personal Public: Ken Aptekar
|
| Apr–Jun 2004 |
Michael C. McMillen: Red Trailer Motel
|
| Nov–Dec 2003 |
Jennifer Bartlett: Conceptual Cartography
|
| Aug–Oct 2003 |
Bibliocosmos
|
| Apr–Jun 2003 |
Expanding Universe: The Recent Paintings of Al Held
|
| Jan–Mar 2003 |
Calling for the Ancients: Ink Paintings and Calligraphy by Lo Ch'ing
|
| Nov–Dec 2002 |
Works on Paper: American Art 1945-1975
|
| Aug–Oct 2002 |
Film Show
|
| Apr–Jun 2002 |
What Is A Man? Changing Images of Masculinity in Late Antique Art
|
| Aug–Oct 2001 |
A Selection of Prints from the Collection of William and Nell Givler
|
| Apr–Jun 2001 |
Recent Sonia Boyce: La, La, La
|
| Feb–Mar 2001 |
Drawn Across the Century
|
| Nov–Jan 2001 |
Raymond Saunders: Paintings and Drawings
|
| Aug–Oct 2000 |
Modotti / Weston: Mexicanidad
|
| Apr–Jun 2000 |
David Smith: 2 into 3 Dimensions
|
| Feb–Mar 2000 |
Differences Preserved: Reconstructed Tombs from the Liao and Song Dynasties
|
| Nov–Dec 1999 |
William Kentridge, Films and Prints 1989-1999
|
| Aug–Oct 1999 |
10th Anniversary Exhibition: A Celebration of the Reed Art Collection
|
| Nov–Dec 1998 |
Sol Lewitt
|
| Feb–Mar 1998 |
Sniper's Nest, Art that has Lived with Lucy R. Lippard
|
| Nov–Dec 1997 |
Robert Morris, 1963-1992
|
| Aug–Oct 1997 |
Geraldine Ondrizek: Libri, An Installation
|
| Apr–Jun 1997 |
The Prodigal Son Narratives 1480-1980
|
| Feb–Mar 1997 |
Samizdat: Book and Installation Art
|
| Nov–Jan 1997 |
Hogarth and the Shows of London
|
| Sep–Oct 1996 |
Voyages and Visions: Nineteenth Century European Images of the Middle East from the Victoria and Albert Museum
|
| Apr–Jun 1996 |
Modern Art in America
|
| Nov–Jan 1996 |
Industrial Images and Icons: 19th 20th Century Photography from the Addison Gallery of American Art
|
| Apr–Jun 1995 |
Bill Viola: Room for Saint John of the Cross
|
| Feb–Mar 1995 |
Masterpieces of Renaissance and Baroque Printmaking: An Exhibition of 85 Prints from Italy and Northern Europe
|
| Aug–Oct 1994 |
Ree Morton: To Each Concrete Man, 1974
|
| Apr–Jun 1994 |
The Pre-Columbian Art of West Mexico: Sculpture from Colima, Jalisco, and Nayarit
|
| Sep–Dec 1993 |
Sculpture by John Ahearn and Rigoberto Torres: The South Bronx Hall of Fame and Other Realities
|
| Feb–Mar 1993 |
The Serpentine Lattice: A conceptual design and installation by Helen Mayer Harrison and Newton Harrison
|
| Oct–Nov 1992 |
The Sleep of Reason: Reality and Fantasy in the Print Series of Goya
|
| Mar–May 1992 |
In the Shadow of the Tower: The Works of Josef Nassy, 1942-1945
|
| Jan–Mar 1992 |
The Surrogate Figure: Intercepted Identities In Contemporary Photography, Bil Barrette, Lorna Bieber, Darrell Ellis, Richard Ross, Laurie Simmons, Susan Wides
|
| Nov–Dec 1991 |
American Art of the 1950's: Selections from the Reed College Collection
|
| Sep–Oct 1991 |
The Misery and Bliss of the Children: Light Divided by Shadows
|