cover of The Diaries of Judith Malina Cover for Occupying the Stage


The Diaries of Judith Malina, 1958-2015

Occupying the Stage: the Theater of May '68
Northwestern University Press, November 2018.

Finalist, TLA George Freedley Award

Related article: "From Watching to Participating: Kate Bredeson and Lars Jan Discuss 1968 and Jan's Stage Production of Joan Didion's 'The White Album'" 
Los Angeles Review of Books. August 16, 2018.

Essays in Edited Book Collections

“Judith Malina”
The Routledge Anthology of Women’s Theatre Theory and Dramatic Criticism. Eds. Catherine Burroughs and J. Ellen Gainor. Oxfordshire: Taylor & Francis/Routledge. Forthcoming.

“The Postdramatic Process: ‘Set Writing’ in Contemporary French Theatre”
Postdramatic Theatre and FormEds. Shane Boyle, Matthew Cornish, and Brandon Woolf. London: Bloomsbury Press. March 2019.

"How France Canonized the American Avant-Garde"
The Sixties, Center Stage. Eds. James M. Harding and Cindy Rosenthal. Ann Arbor, University of Michigan Press. April 2017.

"The Making of La Dramaturgie in France"
The Routledge Companion to Dramaturgy. Ed. Magda Romanska. New York: Routledge. July 2014.

International Women Stage Directors. Eds. Anne Fliotsos and Wendy Vierow. Champaign: University of Illinois Press. 2013.

"L'Entrée libre à l'ex-théâtre de France: the Occupation of the Odéon and the Revolutionary Culture of the French Stage"
May '68: Rethinking France's Last Revolution. Eds. Julian Jackson, Anna-Louise Milne, James Williams. Hampshire: Palgrave MacMillan, 2011.

Journal Articles and Essays

“The Diaries of Judith Malina, 1958-1971 (excerpt)”
PAJ: A Journal of Performance and Art. 131. Volume 44, Number 2. May 2022: 3-27.

“We Will Remember That We Came Together in Protest and Mutual Aid”
Theatre Survey, 62, no. 3 (2021): 357-363.

“Staging the Cascadia Earthquake before It Happens: Faultline Ensemble’s Holding onto the Sky as Community Health and Theater Manifesto.” 
Theatre Topics. Vol. 27, Number 2. July 2017: 95-107.

"Philippe Quesne’s Quest for Wonder"
Theater magazine, 46:3. February 2017: 115-121.

"Germinal's Brave New World"
Performing Arts Journal. 111. Volume 37, Number 3. September 2015: 78-84.
Republished by the Walker Art Center Magazine

"POV’s Architectural Performance"
Performing Arts Journal. Volume 37, Number 2. May 2015.

"The Sum of Testament is Love"
Performing Arts Journal. Volume 36, Number 1. January 2014.

"'Toute ressemblance est voulue:' Theatre and Performance of May '68."
Modern and Contemporary France. May 2008.

"In the Jungle of Cities: May '68 arrives in Avignon"
Theatre Symposium, Volume 14. University of Alabama Press. 2006.

"Sometimes Cloudy, Sometimes Clear: God, Religion and the Williams Passion Play"
The Tennessee Williams Literary Journal, Volume v, Number 1. Spring 2003.

"Je me souviens: De Onderneming in Montreal"
Theater magazine, 33:1. Spring 2003. (Winner, John Gassner Memorial Prize)

"Human Puppets Dangling by Strings of Fate"
Theater magazine, 32:3. Fall 2002.

Paris Cultural Publication and Journalism

"Theatre" chapter and "Five Go Down to the Woods" feature article. 2005-06 Time Out Paris guidebook, 13th ed. London: Penguin Books. March 2005.

Monthly theatre reviews in GoGo, an anglophone journal in Paris. April-December 2005.

Weekly theatre reviews in Time Out Paris. January-July 2004.

Book Reviews

James M. Harding’s Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance. Ann Arbor: University of Michigan Press, 2013. TDR: The Drama Review 59:1 (T225) Spring 2015.

Jeanyves Guérin's Le Théâtre en France de 1914 à 1950. Paris: Honoré Champion, 2007.
Modern and Contemporary France. July 2009.

Encyclopedia Entries

Four entries: "Antigone," "Gatti," "Sarraute," and "the Blacks." The Columbia Encyclopedia of Modern Drama. Columbia University Press. 2007.


Writing for Reed College

"RAW at Twenty-Four." Essay to accompany Reed Arts Week Catalogue, April 2014