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Kate Bredeson is a theatre historian, a director, and a dramaturg. She has earned fellowships and awards including a Beinecke Visiting Research Fellowship at Yale; a Fulbright in Paris; residencies at the Rockefeller Foundation in Bellagio, Italy, the Camargo Foundation in Cassis, France, and Caldera in Sisters, Oregon; fellowships from the Killam Foundation, Mellon Foundation, American Philosophical Society, the Institut Français de Washington, the American Society for Theatre Research, and she is an alum of the Mellon Summer School of Theatre and Performance Research at Harvard University. She is the recipient of a 2017 NEH summer stipend. Kate regularly presents at national and international conferences, and has published articles in PAJ, TDR, Theater, Theatre Symposium, Modern and Contemporary France, The Tennessee Williams Literary Journal, and Time Out Paris. Kate is currently finishing her book, Occupying the Stage: Theater of May '68, and working on her second book, A Lifetime of Resistance: the Diaries of Judith Malina 1947-2015. She has essays in the books The Sixties, Center Stage: Mainstream and Popular Performances in a Turbulent Decade (Michigan, 2017), The Routledge Companion to Dramaturgy (Routledge, 2014), International Women Stage Directors (U. Illinois, 2013), and May 68: Rethinking France's Last Revolution (Palgrave, 2011). As a dramaturg, she has collaborated with the Court Theater in Chicago (Resident Dramaturg 2008-09), Guthrie Theater, Yale Repertory Theatre, Yale Cabaret, Portland Playhouse, documentary filmmaker Eric Nordstrom, and choreographer Tahni Holt. Kate is a winner of the Literary Managers and Dramaturgs of the Americas (LMDA) 2011 residency grant, and the 2017 LMDA Bly Fellowship. She is a board member for Portland's Risk/Reward festival, and a frequent collaborator with the Portland Institute for Contemporary Art. Kate has taught at the University of Chicago, Dalhousie University, Yale University, and has been Visiting Associate Professor of Playwriting in the Hollins University MFA Playwriting program. Kate holds an MFA and a doctorate in Dramaturgy and Dramatic Criticism from the Yale School of Drama.

Reed Magazine article: "Prof Wins Award to Work on Radical Theatre"

Reed Magazine feature article: "Taking Off the Gloves: Prof. Kate Bredeson challenges students to make theatre that is both real and unreal."


Photo of Kate Bredeson by Eric Nordstrom. Header photo by Kate Bredeson.