Publications
Books
Transcending Textuality: Quevedo and Political Authority in the Age of Print - Pennsylvania State University Press, 2011.
Articles and Book Chapters
“Carlos de Sigüenza y Góngora, artífice de una temporalidad americana” – in Atardece el barroco, Ed. Enrique García Santo-Tomás, Vervuert Iberoamericana (2021).
“La caída para levantarse: San Pablo, espejo de Quevedo” – La Perinola: Revista de investigación quevediana, 23 (2019).
“Politic Sacrifice in Lucrecia y Tarquino” – Renaissance Studies, 32.4 (2018).
“Quevedo, Vallejo, y el fin del tiempo” – Quevedo en Europa, Europa en Quevedo. Ed. María Alonso Veloso. Editorial Academia del Hispanismo, 2017.
Review of La Guerra dels segadors en comedias y en panfletos ibéricos: Una historia contada a dos voces (1640-1652), by Conxita Domènech, Edition Reichenberger, Renaissance Quarterly 70.4 (2017).
“From Loom to Sword: Rethinking Female Agency in Zorrilla’s Progne y Filomena” – in Reading and Writing Subjects in Medieval and Golden Age Spain: Essays in Honor of Ronald E. Surtz. Eds. Christina Lee and José Luis Gastanaga. Newark: Juan de la Cuesta Press, 2016.
“The Power of Images in Guillen de Castro's Progne y Filomena” – Revista de estudios hispánicos 49 (2015).
“Caveat Lector: A Female Public in ‘El celoso extremeño’” – Hispanófila 173 (2015).
Review of El dinero en la obra de Quevedo: La crisis de identidad en la sociedad feudal española a principios del siglo XVII, by Eberhard Geisler, Edition Reichenberger – Renaissance Quarterly 67.4 (2014).
“The Construction of Masculinity in Quevedo’s and Borges’s Poetics” – Calíope 18.2 (2013).
“From the Beautiful to the Sublime in El pintor de su deshonra” – Bulletin of the Comediantes 64.2 (2012).
“Conceptismo” and “Ciceronianism” – The Princeton Encyclopedia of Poetry and Poetics, 2012.
“The Prince and the Pauper: Embodying Royalty in Calderonian Drama” – Bulletin of Hispanic Studies 88 (2011).
“Borges criollista y clásico: cambio y continuidad en su lectura de Quevedo” – La Perinola: Revista de investigación quevediana 15 (2011).
“Representaciones del poder y laconismo en el siglo diecisiete español” – Actas del noveno congreso de la asociación nacional de hispanistas, La Plata, Universidad Nacional de La Plata, 2010.
“Envisioning the Body Politic: Iconographies of Christian Rulership” – in Imagery, Spirituality and Ideology in Baroque Spain and Latin America, Eds. Jeremy Roe, Marta Bustillo, and Christopher Wilson, Cambridge Scholars Press, 2010.
Review of Majesty and Humanity: Kings and Their Doubles in the Political Drama of the Spanish Golden Age, by Alban K., Forcione, Yale University Press – Renaissance Quarterly 62.3 (2009).
“The Demise of Eloquence and the Cult of Spectacle in Quevedo's La Hora de todos” – Bulletin of Hispanic Studies, 82 (2005).
“All the Court's a Stage: Performing Piety in Quevedo's Política de Dios” – Journal of Spanish Cultural Studies, 6.3 (2005).
“On Rulership and Conspiracy in Quevedo's Marco Bruto” – Confluencia, 18.2 (2003).
“Dogma and Disbelief in Quevedo’s Poetry” – Hispanic Review, 70.4 (2002).
Review of María de Zayas Tells Baroque Tales of Love and the Cruelty of Men, by Margaret Greer, Pennsylvania State University Press – Renaissance Quarterly 55.2 (2002).
Conference Papers and Invited Talks
“La construcción de una temporalidad criolla en El Divino Narciso” - paper presented at the Society for Renaissance and Baroque Hispanic Poetry Conference, Cambridge University, March, 2022.
Invited talk on the works of Francisco de Quevedo for Spanish/Comparative Literature graduate seminar, “The Library, the Ruin, and the Labyrinth In the Hispanic Baroque” - Princeton University, November, 2021.
“Sor Juana y la fundación de una nueva temporalidad” - paper presented at the Instituto Internacional de Literatura Iberoamericana Conference, (virtual), July, 2021.
“Sor Juana and the Invention of Mindfulness” - paper presented at the Renaissance Society of America Conference, Toronto, March, 2019.
“Memoria y poder en el teatro calderoniano” - paper presented at colloquium “Manos teatrales, culturas materiales:los itinerarios de investigación de Margaret Greer”, Duke University in Madrid, July, 2018.
“The Fluid Meaning of Memory in Spanish Religious Literature” - paper presented at the Renaissance Society of America Conference, New Orleans, March, 2018.
“Tiempos modernos: Consideraciones sobre la poesía de Quevedo y sus ecos vanguardistas” - invited paper, presented at II Congreso internacional: Quevedo en su contexto moderno, University of Santiago de Compostela, May, 2017.
“Rethinking Memory in Early Modern Spain” - invited talk, King’s College, London, May, 2017.
“El pintor del rey en el teatro de Calderón” - paper presented at the Asociación Internacional de Hispanistas Conference, Münster, July, 2016.
“Sacred and Profane Temporalities in Absolutist Spain” - paper presented at the Latin American, Latino, & Iberian Studies of the Pacific Northwest Conference, April, 2016.
“Spectral Rulers in Cervantes and Shakespeare” - paper presented at the Renaissance Society of America Conference, Boston, April, 2016.
“The Tyrannies of Time in Quevedo’s Poetry” - paper presented at the Society for Renaissance and Baroque Hispanic Poetry Conference, Mt. Holyoke College, September, 2015.
“Poéticas del fin del tiempo: Quevedo y Vallejo” - paper presented at the Perú Transatlántico Conference, Lima, July, 2014.
“The Tragic Body Politic in Lucrecia y Tarquino” - paper presented at the Renaissance Society of America Conference, New York, April, 2014.
“The Severed Tongue: The Power of Images in Progne y Filomena” - paper presented at the Symposium in Honor of Ronald Surtz, Princeton Univesity, October, 2013.
“La política de la imagen en Progne y Filomena” - paper presented at the Asociación Internacional de Hispanistas Conference, Buenos Aires, July, 2013.
“A Female Public in Cervantes’s ‘El celoso extremeño’” - paper presented at the Renaissance Society of America Conference, San Diego, April, 2013.
“The Protean Body in Guillén de Castro’s Progne y Filomena” - paper presented at the Renaissance Society of America Conference, Washington, DC, March, 2012.
“Breaking Rules: Pictorial Theory in Spanish Drama” - paper presented at the Renaissance Society of America Conference, Montreal, March, 2011.
Respondent presentation on “Literatura y Derecho: ‘A xustiza pola man’ de Rosalía de Castro’”, by María do Cebreiro Rábade Villar - Foro cultural, Universidad de San Andrés, Buenos Aires, July, 2010.
“Representaciones del poder y laconismo en el siglo diecisiete español” - paper presented at the Congreso de Hispanistas de La Plata, April, 2010
“The Faces of Brevity” - paper presented at the Renaissance Society of America Conference, Los Angeles, March, 2009; organizer of panel, The Poetics of the Body and the Senses in Early Modern Spain.
“Evanescent Beauty: Pondering the Function of Art in El pintor de su deshonra” - paper presented at the Renaissance Society of America Conference, Chicago, April, 2008.
“Quevedo y la crítica a las letras” - paper presented at Instituto Torcuato Di Tella, Buenos Aires, August, 2007.
“The Prince and the Pauper: Body Languages in Calderonian Drama” - paper presented at the Renaissance Society of America Conference, Miami, March, 2007.
“The King’s Mirrors: Political Communication in Early Modern Spain” - paper presented at the Cincinnati Conference on Romance Languages and Literatures, May, 2006.
“Envisioning the Body Politic: Iconographies of Christian Rulership” - paper presented at the Renaissance Society of America Conference, San Francisco, March, 2006.
“The letter of the law in Quevedo’s La hora de todos (1633-35)” - paper presented at the Renaissance Society of America Conference, Cambridge, April, 2005.
“Striking Poses: Quevedo and the Theatre of Power” - paper presented at the Pacific Modern Language Association Convention, Reed College, November, 2004.
“Contending with a New World Order: the Political Language of Quevedo” - paper presented at the Renaissance Society of America Conference, Toronto, March, 2003.
“Quevedo and the Anti-Machiavellian Tradition: the Orator and the Art of Government in Marco Bruto” - paper presented at Sixteenth-Century Studies Conference, Cleveland, November, 2000.
“Messianism and Imperial Decline in Quevedo’s Statescraft” - paper presented at the Third Annual Conference of the Mediterranean Studies Association, Universidade Federal da Bahia, Salvador, May, 2000.
“La Hora de todos: Allegory Redefined” - paper presented at the Modern Language Association Convention, San Francisco, December, 1998.
“Barroco y vanguardia en los ensayos del joven Borges” - paper presented at the Sixth International Conference of the Centro de Estudios de Literatura y de Civilización del Río de la Plata, Fordham University, June, 1998.
“Realidad y espejismo en el paisaje calderoniano” - paper presented at the Modern Language Association Convention, Toronto, Canada, December, 1997.
“Redefining the Classic in Quevedo's Poetics” - paper presented at the Modern Language Association Convention, Toronto, Canada, December, 1997.
“The Sacred and the Grotesque: Female Images in Quevedo's Poetry” - paper presented at the Eighth International Conference of the Asociación de Literatura Femenina Hispánica, Emory University, Atlanta, Georgia, October, 1997.
“La ausencia de la amada en los sonetos amorosos de Quevedo” - paper presented at the Colloquium, "The Male and Female Image", State University of New York at Albany, March, 1996.