2021 "The Irresolutions of Charles Gaines," eds. Johanna Gosse and Tim Stott Nervous Systems (Duke University Press, forthcoming).

2019 "Literally, Ourselves," Critical Inquiry v. 46, n. 1.

2019 "Aggregate Life: Review of Michelle Murphy, The Economization of Life (2017)," Apricota v. 1, n. 2.

2019 The Abstraction Issue, Open-Set, http://www.open-set.com/.

2017 Never Alone, Except for Now: Networked Life between Populations and Publics (Duke University Press).

2016 "The Painter of Dematerialization," The Journal of Visual Culture v. 15, n. 2 (August 2016).

2016 "Just More Than Zero," The Brooklyn Rail special issue on "Art Encounters Law," ed. Joan Kee.

2015 Review of Ann Hamilton's "the common S E N S E" at The Henry Art Gallery, Seattle, WA., CAA.Reviews.

2015 "Pedagogy without Education," Open-Set (June 2, 2015).

2015 "Bitmapped Form," Open-Set (February 18, 2015).

2015 "Propped Not Supported," Open-Set (January 5, 2015).

2015 "Our Broken Genres: Sharon Hayes' Love Addresses," Afterall Special Issue on Sharon Hayes (Spring 2015).

2014 "Background Aesthetics," Daemon: A Collection of Essays and Visuals, eds. Eli Coplan, Genevieve Ward, Jade Novarino et. al. Portland, OR.: Brown Printing, 2013.

2013 "I lose it when I...," catalogue essay for And Also With You, Pato Hebert, exhibition at St. Edward's University.

2013 "Gina Osterloh, Body Prop," catalogue essay for Group Dynamic, Gina Osterloh, exhibition at LACE Los Angeles.

2012 "No Faith in Form: a review of Claire Bishop's Artificial Hells," Reviews in Cultural Theory 3.2.

2012 "Endurance," catalogue essay for Kara Walker: More & Less, exhibition at the Cooley Gallery, Reed College.

2011 "Without Reciprocity: Suffragists, Internet Trolls, and Sharon Hayes' 'Love Addresses'," Intelligent Agent 12.1: 43-47.

2010 "The Friend of the Friend," Transmission Annual: Hospitality, eds. Michael Corris et al., London: Artwords Press.

2008 "What Happens Next." Chicago Art Journal 18: 3-19.

2008 (with Nina Wakeford). "Fieldnotes in Public: Using Blogs for Research." In The Handbook of Online Research Methods, ed. Nigel Fielding et al., London: Sage Publications.

2006 "A Welcome for Blogs." Continuum 20:2: 161-173.

2006 "Beside Ourselves, Sometimes," commissioned essay for artists Hamilton and Southern's project with Pylon.

2005 "What Does the Photoblog Want?" Media, Culture & Society 27:6: 883-901.

2005 (with Thomson and Craighead). "The Wrong Categories." In Network Art: Positions and Practices, ed. Tom Corby, London: Routledge.

2005 "Better the data you know..." Day to Day Data exhibition catalogue. Nottingham: Angel Row Gallery.

2003 (with Sarah Cook). "Simon Pope: In Conversation with Kris Cohen and Sarah Cook." In Further, Artists from Wales, at the 50th International Art Exhibition Venice, ed. Emma Posey, London: Wales Arts International.

2000 "Dialogue." Perspective Spring: 18-23.

1996 "Locating the Photographer's 'Prick'." Chicago Art Journal 6: 5-14.