REED ARTS WEEK 2012 // FEBRUARY 29TH - MARCH 4TH




Agamben, Giorgio. 2009. "What is the Contemporary?". What is an Apparatus? and Other Essays. Stanford, CA: Stanford University Press.

Artaud, Antonin. 1938. "The Theatre of Cruelty". The Theatre and Its Double. New York: Grove Press.

Badiou, Alain. 2005. being and Event. London: Continuum.

Barthes, Roland. 1973. The pLeasure of the Text. New York: Hill and Wang.

Bennett, Jane. Vibrant Matter: A Political Ecology of Things Durham: Duke University Press.

Bordieu, Pierre. 1984. Distinction: a social critique of the judgement of taste. Cambridge, Mass: Harvard University Press.

Certeau, Michel de. 1984. "Making Do: Uses and Tactics", "Walking in the City". The practice of everyday life. Berkeley: University of California Press.

Debord, Guy. 1996. Theory of the Dérive and other Situationist Writings on the City. Barcelona: Actar.

Deleuze, Gilles, and Félix Guattari. 1987. A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press.

Derrida, Jacques. 1978. "Structure, Sign and Play in the Discourse of Human Sciences". Writing and difference. Chicago: University of Chicago Press.

Esposito, Roberto. 2010. Communitas: The Origin and Destiny of Community. Stanford, Calif: Stanford University Press.

Foucault, Michel. 1972. The Archaeology of Knowledge. New York: Harper & Row.

Friese, Heidrun. 2001. The Moment: Time and Rupture in Modern Thought. Liverpool: Liverpool University Press.

Hardt, Michael, and Antonio Negri. 2009. Commonwealth. Cambridge, Mass: Belknap Press of Harvard University Press.

Hegel, Georg Wilhelm Friedrich. 1977. Phenomenology of Spirit. Oxford: Clarendon Press.

Kraus, Chris. 2011. Where Art Belongs. Los Angeles, Calif: Semiotext(e).

Latour, Bruno. 1999. Pandora's Hope: Essays on the Reality of Science Studies. Cambridge, Mass: Harvard University Press.

Lefebvre, Henri. 1961. The Critique of Everyday Life. London: Verso.

Shklovski?, Viktor. 1990. "Art as Device," Theory of Prose. Elmwood Park, IL, USA: Dalkey Archive Press.

Silverman, Kaja. 2000. World Spectators. Stanford, Calif: Stanford University Press.

Stimson, Blake, and Gregory Sholette. 2007. Collectivism After Modernism: the Art of Social Imagination after 1945. Minneapolis, MN: University of Minnesota Press.

Thompson, Nato, and Arjen Noordeman. 2004. Interventionists: Users' Manual for the Creative Disruption of Everyday Life. North Adams, Mass: MASS MoCA.

Tiqqun (Collective). 2010. Introduction to Civil War. Los Angeles: Semiotext(e).







(c) Reed College, designed by Max Smith-Holmes