The Professor
Jim Yorke (University of Maryland)
Checklist for talks with overhead projectors:
A live test audience
All mathematicians and scientists hear many unintelligible talks by
professional speakers (i.e., professors) who think they are being
clear. I believe these occur because the speaker did not get adequate
feedback while preparing. All talks should be tested on live
audiences. In our seminar students must Pre-test talks with an
audience of students before the announced version is given, even if
that is also a practice for a talk at meeting. Speakers are frequently
amazed to find out that their basic material is not known by the
audience.
The test talk is primarily for intelligibility, not timing,
and is to see what kind of difficulty an audience would have with your
explanations. Hence the test audience should speak up when they do not
understand what is being said, not hold questions until the end.
Feedback: When you sit through a lecture that nobody understands, as
often happens, it is almost always because the speaker does not know
that he/she is being unintelligible. When you give a talk, do NOT ask
if it was OK. That will usually yield a positive response. Instead ask
what was wrong with the talk. Tell people you are going to give it
again and need feedback. It is good if you can tell them this before
you give the talk so they take notes.
If you give a practice talk that is judged a failure, don't
worry about it; just fix it. It is the final talk that counts. I once
tested a talk on test audiences before the real event.
The Main Point
Have a clear idea of what the main point is in your talk and tell the
audience early in the talk. You may get lots of questions because some
of the audience is lost, and you may run out of time before the talk
is over, so be sure that your main point is early enough in the talk
that it does not get lost if the talk ends early.
Outline? Pare down to the Essence
Don't waste time in an early talk outlining your talk. People who
present outlines in short talks rarely get through the material
outlined. More generally a major art in giving a talk is seeing how
much material can be omitted. For each transparency, ask if there is a
way not to present the material or explain it more briefly. You should
be aiming at explaining one central idea or achievement. Talks
sometimes begin with unessential material. When the audience
interrupts with numerous questions about what the speaker has said,
the talk never gets to the essence and is a disaster.
Practice with Overhead Projectors
Practice using two overheads if you can have two in the final talk.
There is a strange resistance among many speakers to use more
than one overhead projector, as if the audience could perfectly
remember the previous material. Yet if they were lecturing on a black
board and had only one meter-square panel, they would find it
constricting to have to erase the board every couple of minutes. The
audience will appreciate the use of two even if your initial reaction
as speaker is that only one is needed.
The simplest approach is to alternate between projectors,
putting the first transparency on one and the second on the
other. When one projector is brighter or better than the other, just
put the new transparency on the better projector and the previous one
on the backup. When a particularly central transparency is encountered
it can be left for a longer time on the backup projector.
Your test audience should criticize you when you if you stand
in the way of some of the audience, blocking either screen. Point to
material on the screen if possible and not to the transparency on the
overhead projector since then you will be blocking your audience's
view. Practice with an audience distributed to the far left and right
and in front and do not block any of the audience.
Credits
Make sure the audience knows what YOU have done and what part of your
material has been done by others; in particular distinguish background
material from your material. Don't be shy about claiming credit.
Give credit to people who did the background work by name at
least; (it is usually cumbersome to give a full reference, tho it is
good to have available.) If you don't give credit, someone will think
you did that work and are claiming credit it for it.
Voice
Speak uniformly loudly. Some speakers drop their voices at parts of
sentences. It does not suffice to say 90% of a sentence loudly. When
answering a question of someone sitting in the front, keep you voice
loud so that they whole audience can hear you, and remember that many
have probably not heard the question.
Eye contact
Make frequent eye contact with the audience. See if you can interact
with the audience.
Transparencies
Transparency titles
Each transparency should have a title. It should tell the audience
what they are looking at, what the point is of the transparency, and
it should be underlined so that it is clear it is a title.
Double Size type
ALL type on a transparency should be visible from the back of the
room. Never use unenlarged typescript in a transparency. It might work
in some small rooms with some overheads but usually it fails. Type
should be enlarged from regular print by at least a linear factor of
2, so your font should permit at most 40 characters for the width of
the page.
It is important to keep the total amount of text on a
transparency small; but also assume that the audience is much less
likely to understand a point that you say than if you write and talk
about it.
If a figure you copy has some small type (such as scales),
wipe it out before making the transparency and re-write the material
by hand in large visible letters.
Erase material that you do not want to draw to the attention
of the audience to.
Color
Use some color. If your transparencies are black and white,
then underline in color, use color boxes and write over some letters
in color.
Number your transparencies
Number your transparencies so that when they get mixed up, they are
easy to sort for your next presentation.
Many speakers seem more concerned about keeping transparencies
in order than in keeping them in front of the audience; they remove a
transparency the second they finish talking about it, giving the
audience no time to really see and understand what was written; then
they take several seconds finishing some comments and putting down the
transparency, and picking up a new one. Instead you should pick up
your next transparency before you take the previous one off, so you
can keep your material in front of people for a maximum time.
Apologies?
Do not apologize in your talk for anything, for example, for having
forgotten to say something earlier. If you forgot, just say "Now is a
good time to tell you ...". They won't know that you think you screwed
up. You are supposed to give an appearance of mastery. Do not
apologize even for having the sniffles, since you just draw the
audiences attention to it. If you have failed despite the above
paragraph above to get to your main point, don't tell the audience
that you didn't get to your main point. That is just telling them that
they wasted their time listening to you. Hopefully they enjoyed what
they did hear.
Repeat key ideas
Find the places where you present ideas, equations, or definitions at
the bottom of a transparency; after you introduce it in your talk, the
audience might have 5 seconds after you go over it to understand
before you grab the sheet from the screen; so figure out how to extend
the time they have to understand it. For example discuss some
illuminating aspect of it.
If you plan to cover up the bottom of a transparency and show
only the top, make an extra copy with just the material on the top;
hence the next slide will duplicate the top and continue on. One slide
can thus be broken into several stages. Many audience members dislike
seeing large parts of the screen blacked out; it creates a dark room
with only a slice of transparency showing.
Graphs and Figures
Your graphs should be intelligible. If you are using a logarithmic
scale, don't write the values of the logs. write for example 1 10 100
1000 Etc. When people instead write logs base e instead of actual
values, they are presenting material they cannot expect the audience
to understand. In such a talk would you know what exp(6) is for
example? (Ans.: exp(3) is about 20 so exp(6) is 400)