Nineteenth- and twentieth-century Latin American literature.
Twentieth- and twenty-first century Spanish literature, modern European and Hispanic drama.
Early modern Spanish literature and culture.
Twentieth- and twenty-first-century Latin American narrative and culture, critical and spatial theory.
Contemporary Spanish American narrative, colonial literature, literary theory.
Mónica López Lerma
Contemporary Spanish film and literature, film theory, law and humanities, jurisprudence.
The Spanish department offers a balanced program leading to a major in Spanish language and literature. First-, second-, and third-year Spanish language classes focus on speaking, reading, writing, and grammar, as well as cultural context. All courses are conducted in Spanish. In the second year, emphasis on composition increases, and readings are drawn from a variety of genres. The third-year classes focus on certain problem areas of Spanish language in concert with an investigation of selected topics in Spanish and Spanish American culture. Primary readings in the literature courses are in the original language. The objective in the upper-division courses is an informed and accurate reading of literary texts, grounded in considerations of their artistic, historical, and cultural contexts, as well as attention to questions relating to literary history and theory.
Students who major in Spanish are encouraged to select courses from a variety of periods in both Peninsular and Latin American literature and to enhance their studies with appropriate coursework in other areas, such as other literatures, humanities, history, art, and linguistics. They should also consult with the department to explore options for studying in a Spanish-speaking country.
For majors and nonmajors alike, the Spanish House provides an additional opportunity to practice and learn Spanish in an everyday setting.
Students who have studied Spanish before coming to Reed and who wish to enroll in Spanish courses should take the Spanish placement examination given every year during orientation week.
Students majoring in other departments in the Division of Literature and Languages may fulfill the divisional requirement with any of the third- or fourth-year literature courses.
Requirements for the Major
- A minimum of six units of literature at the 300 and 400 level. These must include at least two courses in Peninsular Spanish literature and at least two courses in Spanish American literature. At least one course in Peninsular literature and one course in Spanish American literature must cover pre-twentieth-century texts.
- Competence in Spanish equivalent to Spanish 321.
- Junior Seminar.
- Spanish 470.
Recommended but not required:
- Spanish 321.
- French, and/or Latin, and/or another foreign language.
- Humanities 211–212 and/or 220.
- Latin American history.
Majors in Spanish are encouraged to spend time in a Spanish-speaking country. Reed has options for study abroad in Cuba at the Sarah Lawrence College in Havana; in Ecuador at the Universidad San Francisco de Quito; in Argentina at the Facultad Latinoamericana de Ciencias Sociales (FLACSO), the Universidad Nacional de las Artes (UNA), the Pontificia Universidad Católica Argentina (UCA), and/or the Universidad de Buenos Aires (UBA); and in Spain at Universitat Pompeu Fabra, the University of Barcelona, Universidad Carlos III de Madrid, Universidad de Córdoba, Universidad de La Rioja, Universidad de Sevilla, or the Hamilton College Program in Madrid. These programs are not limited to Spanish majors. The department also helps students select study-abroad programs in other parts of Latin America and in Spain on an individual basis. See the “Off-Campus Study” section of this catalog for more information.
Spanish Language and Introduction to Literature
Spanish 110 - First-Year Spanish
Full course for one year. A balanced study of written and oral aspects of Spanish. Includes an introduction to reading. Conference.
Spanish 210 - Second-Year Spanish
Full course for one year. An intermediate-level study of grammar, composition, and conversation. Emphasis on reading: essays, theatre, short stories, and poetry. Prerequisite: equivalent of one year of college Spanish. Conference.
Spanish 311 - Advanced Language and Culture: Contemporary Latin American Chronicle
Full course for one semester. Somewhere between literature and journalism, the chronicle has been a staple genre in Latin America since colonial times. In this course we will focus on the contemporary chronicle, which is, according to some critics, experiencing a new golden age. A flexible, malleable, and mixed genre that aims to combine literary aestheticism with the responsibility to inform, the chronicle will allow us to discuss and reflect upon various current issues such as city life and urban practices, alternative sexualities, drug trafficking, gangs, and immigration, as well as analyze and interrogate the ethics of writing and informing. Authors might include Oscar Martínez, Juan Villoro, Alberto Salcedo Ramos, Carlos Monsiváis, Alma Guillermoprieto, Diego Fonseca, Frank Goldman, and Martín Caparrós, among others. This course is designed to refine and enhance language skills. It includes a focused consideration of problem areas of Spanish language and an introduction to various rhetorical forms. In addition to oral practice in class, students will write numerous short essays. Prerequisite: Spanish 210 or equivalent with the consent of instructor. Applicable to Group D. Conference.
Spanish 312 - Advanced Language and Culture: Spanish Migrations
Full course for one semester. For centuries, Spain has been defined as a country of emigration, from the expulsion of Jews and Muslims in the early modern period to the colonialization of the Americas. However, in the past 30 years, Spain has become a country of immigration (primarily of people from North Africa and Latin America) and large-scale internal migration. This course examines the representation of emigration, immigration and internal migration in literature, film, art, and other cultural productions. How do contemporary artists represent what is for some immigrants a complex return to the “home” of their ancestors? How do they negotiate among a growing plurality of voices in a country that has imagined itself as homogeneous? How are calls for nationhood for an autonomous region (Catalonia, for example) represented nationally? This course is designed to refine and enhance language skills. It includes a focused consideration of problem areas of Spanish language and an introduction to various rhetorical forms. In addition to oral practice in class, students will write numerous short essays. Prerequisite: Spanish 210 or equivalent with the consent of instructor. Applicable to Group D. Conference.
Spanish 321 - Theory and Practice of Hispanic Literature
Full course for one semester. This course is designed to give students a theoretical, historical, and cultural framework for the more advanced study of Spanish and Spanish American literature. It will include considerations of genre, reception, and critical theory. Students will be responsible for undertaking close readings of the texts as well as research projects. Applicable to Group A. Prerequisite: Spanish 210 or equivalent. Conference.
Early Modern Literature and Culture
Spanish 343 - Don Quixote and Narrative Theory
Full course for one semester. This course will consist of a close reading of Cervantes’s masterpiece in conjunction with the works of theorists such as Michel Foucault, Gyorgy Lukács, Anthony Cascardi, and Mary Malcolm Gaylord, who have written about Don Quixote in the development and exploration of their various “theories of the novel.” To better understand the context of Don Quixote, we will begin with a careful consideration of political, cultural, and historical aspects of the Spanish Golden Age. During the final weeks of the semester we will read texts by Jorge Luis Borges and Paul Auster that exploit narrative conventions found in Don Quixote. We will end the semester with student presentations that focus on adaptations and appropriations of Don Quixote in modern narrative. Conducted in English. Students taking the course for Spanish credit will meet in extra sessions. Prerequisite for students taking the course for Spanish credit: Spanish 321 or equivalent with consent of the instructor. Conference. Cross-listed as Literature 343.
Not offered 2018–19.
Spanish 344 - Junior Seminar: Visual Art in Spanish Baroque Literature
Full course for one semester. This course studies the relationship between visual art and literature in early modern Spain. In an epoch in which the production of images has attained unprecedented cultural importance, literature redefines its aesthetic agenda, both modeling itself after and rivaling visual art. Considering various plays, poems, and novellas alongside relevant paintings, emblems, architectural works, and sculptures, we reflect upon how the interactions among these different art forms serve to mobilize audience emotion and comment on gender and class tensions. Also discussed are mounting anxieties about the role of art in a society marked by political crisis. In particular, we think about how the celebration of iconocentric culture is undercut by critical views of images as dangerous vehicles of moral and sexual depravity. Authors and artists studied include Teresa of Avila, Cervantes, Zayas, Calderón de la Barca, Guillén de Castro, Velázquez, Titian, El Greco, and Rubens. Conducted in English. Prerequisite for Spanish credit: Spanish 321 or consent of the instructor. Conference. Cross-listed as Literature 344 and Art 344.
Spanish 353 - Chronicling America
Full course for one semester. The early chronicles of the exploration and colonization of the “New World” initiate Spanish American literature and have left an enduring mark as well on the development and transformations of this literary tradition. In this course, we trace the constitution of a particularly Spanish-American colonial discourse in texts such as the letters of Columbus and Cortés, Alvar Núnez Cabeza de Vaca’s account of his shipwreck and captivity, indigenous and mestizo counterhistories, and a protopicaresque novel. At the same time we see how these texts, as well as contemporaneous visual arts and cartography, shape “America” by evoking a number of spatial conceptions: earthly Paradise, the layered spaces of conquest, lost cultural coordinates, and the “no-place” of mercantilism and piracy. Prerequisite: Spanish 321 or equivalent with consent of the instructor. Conference.
Not offered 2018–19.
Nineteenth- and Twentieth-Century Literature and Culture
Spanish 361 - Decentering the Human
Full course for one semester. This course provides an introduction to what has been called the nonhuman turn, an umbrella term that refers to various schools of thought (such as posthumanism, transhumanism, animal studies, new and vital materialism, object-oriented ontology, and affect theory) that call for an integral redefinition of the human and thus question, critique, and/or move beyond human exceptionalism and the ontological dualities (nature/culture, human/non-human, mind/body, self/other, subject/object, etc.) that constitute it. The course combines interdisciplinary theoretical perspectives with a focus on how the relation between humans, nonhumans, and the environment has been represented, questioned, and problematized in cultural productions from the Hispanic world. The course ultimately asks students to think critically about what it means to be human today, if, that is, we have indeed ever been human. Conducted in English. Students taking the course for literature credit will read cultural texts in translation and write in English. Students taking the course for Spanish credit will read cultural texts and write essays in Spanish. Prerequisite for students taking the course for Spanish credit: Spanish 321 or consent of the instructor. Conference. Cross-listed as Literature 361.
Spanish 367 - Law and Violence in Contemporary Peninsular Cinema
Full course for one semester. This course examines the relationships between law and violence in contemporary Peninsular cinema. We will explore how films represent law and violence; how these representations reflect or alter our perceptions of legal institutions and legal actors (e.g., police, courts, judges, lawyers); how films present and/or frame particular ethical or legal problems (i.e., gender violence, surveillance, torture, terrorism); what alternative views of law and justice they provide; and the kind of judgments they invite viewers to make. We will watch and discuss films by Carlos Saura, Víctor Erice, Pedro Almodóvar, Alex de la Iglesia, Icíar Bollaín, Enrique Urbizu, Alberto Rodríguez, Guillermo del Toro, Fernando León de Aranoa, and Alejandro Amenábar. The analysis of films will be complemented by readings on legal theory, film theory, and politics. Course includes a weekly film screening. Prerequisite: Spanish 321, 311, or 312, or equivalent with consent of the instructor. Conference.
Spanish 368 - Jorge Luis Borges: Fiction and Criticism
Full course for one semester. This course studies the writings of one of the most important authors of the twentieth century through various critical approaches that have been applied to his work: structuralism, poststructuralism, psychoanalysis, hermeneutics, and sociocriticism. Emerging from this corpus are two opposing views: one that associates Borges with the Argentinean literary system, foregrounding his participation in national aesthetic and cultural debates, and one that emphasizes the cosmopolitanism, skepticism, and sense of unreality marking his literature. Also considered will be emerging critical studies that accentuate the historical and political relevance of Borges’s oeuvre. Along with these lines of inquiry, a series of theoretical categories and themes that are key for the comprehension of Borges’s writing will be discussed: avant-garde ultraism; criollismo; metaphor and metonymy; Argentinean tradition; reading, misreading, and translation; authorship and figures of the author; canon and literary genealogy; history, memory, and forgetting. Prerequisite: Spanish 321 or consent of the instructor. Conference.
Not offered 2018–19.
Spanish 371 - Sensing Justice: Cinema and Politics of the Senses
Full course for one semester. The various dimensions of justice (procedural, retributive, and distributive) always come mediated by the sensory perceptions and affects produced by the narrative and visual frames that give them meaning. Whether and how we make ethical, political, and legal judgments, and whether and how we legitimize the institutions charged with administering justice, depends upon these frames. The main goal of this course is to identify and examine how these various sensory frames help to mediate justice. What senses do these frames privilege (or downgrade)? What kind of subjects do they show and address? What kind of affective and ethical responses do they produce? What kind of gaze and perception do they create? What kind of judgments do they invite? How do they make us feel, see, touch, taste, and smell in certain ways rather than others? The course is thus concerned not so much with what the sense of justice is, but with how that sense is produced and experienced. We will address these questions through contemporary Spanish cinema and readings from Butler, Deleuze, Rancière, Merleau-Ponty, Marks, Elsaesser, Panagia, Nancy, Benjamin, Sobchack, and others. Course includes a weekly film screening. Prerequisite for Spanish credit: Spanish 321, 311, or 312, or equivalent with consent of the instructor. Conference. Cross-listed as Literature 371.
Not offered 2018–19.
Spanish 376 - Cinema and Human Rights
Full course for one semester. The goal of the course is to introduce students to the dilemmas of justice in postconflict situations (war, genocide, apartheid, colonization, political disappearances and mass murder) and to examine the processes and mechanisms that societies use to “come to terms” (legally, ethically, and politically) with the legacies of past violations of human rights. We will explore some of these mechanisms (international tribunals, truth commissions, amnesty laws, material and symbolic reparations to the victims, and criminal trials) and inquire about the benefits and drawbacks of each. The course offers a comparative analysis of a variety of historical cases: Germany, South Africa, France, Chile, Argentina, Perú, Colombia, Bolivia, Guatemala, and Spain. We will draw on academic literature, human rights reports, testimonials and accounts of victims, memorial museums and monuments, photographic exhibitions, and films in seeking to answer these questions. We will watch and discuss films such as Judgment at Nuremberg (Stanley Kramer, 1961), The Battle of Algiers (Gillo Pontecorvo, 1966), Death and the Maiden (Roman Polanski, 1994), Las madres de la Plaza de Mayo (Lourdes Portillo, 1985), Chile, la memoria obstinada (Patricio Guzmán, 1997) Los rubios (Albertina Carri, 2003), Long Night’s Journey into Day (Deborah Hoffman, Frances Reid, 2000), Los niños de Rusia (Jaime Camino, 2001), among others. Course includes a weekly film screening. Prerequisite: Spanish 321, 311, or 312, or equivalent with consent of the instructor. Conference.
Not offered 2018–19.
Spanish 378 - Space and Power
Full course for one semester. What is space? How is it perceived, experienced, produced, and reproduced? And what is its connection with power and relations of domination/emancipation? Drawing from spatial, urban, political, and feminist theory, this course aims to explore and analyze these questions in relation to the representation and problematization of domestic, urban, national, and border spaces in, mostly, Latin American novels and films. Conducted in English. Students taking the course for Spanish credit will meet in extra sessions. Prerequisite for students taking the course for Spanish credit: Spanish 321 or consent of the instructor. Conference. Cross-listed as Literature 378.
Not offered 2018–19.
Spanish 380 - Drugs, Gangs, and Aliens
Full course for one semester. In this course, we will examine how cornerstones of state sovereignty such as the rule of law, the care and control of space and population, and the monopoly on violence are being challenged by irregular immigration, the drug trade, and the expansion and criminalization of gangs throughout the Americas. We will discuss and think critically about the representation and problematization of these multilayered phenomena in Colombian, Central American, Mexican, and North American literary works, chronicles, films, and official documents in relation to sovereignty, biopolitics, neoliberalism, and the geopolitics of capital. Readings might include, among others, novels by Fernando Vallejo, Juan Pablo Villalobos, Yuri Herrera, and Hector Tobar; chronicles by Oscar Martinez and Juan Villoro; and films such as Miss Bala, La jaula de oro, Ciudad de Dios, María llena eres de gracia, Sin nombre, Falling Down, and Traffic. These readings/screenings will be complemented with critical essays by Hobbes, Rousseau, Schmitt, Derrida, Agamben, Foucault, and Brown. Prerequisite: Spanish 321 or consent of the instructor. Conference.
Not offered 2018–19.
Spanish 381 - Literature and Culture of Argentina from Independence to the Present
Full course for one semester. In the framework of an Argentinean cultural history, this course analyzes the relationship between aesthetics, ethics, and politics. A series of nineteenth- and twentieth-century texts, both fictional and nonfictional, will serve to trace the trajectory from a political use of literature to the emergence of an autonomous intellectual sphere. The course is organized around the topics of “civilization and barbarism”; gauchos, frontiers, and “the desert”; the Generation of 1880 and immigration; Peronism and anti-Peronism; and militarism and democracy. Prerequisite: Spanish 321 or equivalent with consent of the instructor. Conference.
Spanish 384 - Latin America’s Revolutionary Century
Full course for one semester. Throughout the twentieth century, Latin America was one of the epicenters of insurgent and revolutionary struggles in the world. These represented, regardless of their ideological differences, the entry of the equality principle in national spaces that had mostly imagined and structured themselves as two-tiered societies in which a large segment of the population—Indians, minorities, and even women—had been, for all practical purposes, systematically excluded. By focusing on the cultural production (novels, films, essays, etc.) related to four revolutionary constellations—the Mexican and Cuban Revolutions, the Central American guerrillas, and the Zapatistas—this course aims to explore and analyze the languages of insurgency and counterinsurgency, the figure of the revolutionary and guerrilla fighter as a political subjectivity, and the relation between politics and aesthetics. Primary texts will be supplemented with historical and theoretical readings. Prerequisite for students taking the course for Spanish credit: Spanish 321 or consent of the instructor. Conference. Cross-listed as Literature 384.
Not offered 2018–19.
Spanish 390 - Crime and Literature in Spanish America
Full course for one semester. The notion of crime constitutes a point of articulation joining religious, philosophical, juridical, journalistic, historiographical, scientific, psychoanalytical, and other discourses. For this reason, it provides a particularly rich point of departure for the study of cultural production. This course focuses on the various ways in which crime has figured in Spanish American writing. Texts may include accounts of transvestite nuns and “deluded” mystics, detective novels, and literary or journalistic treatments of the drug trade and the criminal state apparatus. We will also consider representations of crime in film and the visual arts. Theoretical readings address the development and function of penal, judicial, governmental, and medical institutions. Readings in Spanish. Prerequisite: Spanish 321 or equivalent with consent of instructor. Conference.
Not offered 2018–19.
Spanish 470 - Thesis
One-half or full course for one semester or one year.
Spanish 481 - Independent Reading
One-half or full course for one semester. Prerequisite: approval of instructor and division.