Parts
- lead -- Larkin
- main
- high
- high
- A low variation for the high part of the middle section. The first tenor would follow and play low, too.
- high signal
- middle
- chordal
- end
- First soprano -- Melanie
- Second soprano -- Bill
- First tenor -- Brenda
- Second tenor -- Diane
- Baritone -- Cole
- Bass -- Simon
- Hosho -- Jim
Notes
- The second soprano and second tenor have the same parts. That explains why the music samples for the second tenor are played on the soprano.
- In the chordal section, on a pre-arranged signal (lead's yell?) switch to a stuttered rhythm of the chords for 2 cycles, then go back.
- Here is an alternate rhythm for the first soprano (to be used sparingly).
- Baritone and bass should always help by
walking up or walking down when changing low-to-high or high-to-low, respectively.
- TODO: entrance order.
Catlin Arrangement
- Instruments
- lead: Larkin
- first soprano: Melanie
- second soprano: Bill
- first tenor: Brenda
- second tenor: Diane
- baritone: Cole
- bass: Simon
- hosho: Jim
- Entry order
- Cole starts on the baritone (not too fast, we hope)
- second soprano/tenor (Bill and Diane)
- first soprano tenor (Melanie and Brenda)
- everyone
- Sparse Middle section
- At the end of the High section, after the high signal, the
hosho (Jim) and sopranos (Bill and Melanie) drop out, returning for the
Middle section.
- In the Jungle
- After the third Main section's signal, everyone drops the A
parts of their cycles while lead quotes "In the Jungle". We do this
for two cycles then move into the Chordal section.
- Chordal section
- 2x everyone plays chords; 2x stuttered chords; 2x
normal chords again. Cole will give us a signal on the baritone
that the stuttered chords are coming.