IRIS login | Reed College home Volume 92, No. 1: March 2013
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"Lloyd Reynolds"
Calligraphy Makes a Comeback
Reed revives its long history of calligraphy, started by Lloyd Reynolds in 1949.
"Concentrate on your breath and you'll make a better looking L. Breathe in. Breathe out on the downward stroke."
Nearly 30 students, faculty, and alumni hold their Speedball pens at a 45-degree angle and exhaling, grab the baseline with a downward stroke and finish with an exit serif. Next up is the letter O.
"As the O goes, so goes the alphabet," says calligraphy instructor Inga Dubay. "You'll be glad we didn't start with the O, it's not the easiest of letters. But it is a very lovely one in Italic. In handwriting we do the O all in one stroke, but in calligraphy we do a two-stroke O. Please do not do more than three at one time. You will be ill if you do."
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Calligraphy Leaps off the Page
The greatly anticipated exhibition, Lloyd Reynolds: A Life of Forms in Art, has begun its run in the Cooley Art Gallery. Just hours after it opened, Robin Tovey '97 and I convened at the Hauser Library and headed to the gallery. An arresting exhibition poster hangs just outside, featuring an enlargement of Lloyd's piece "Calligraphy for People." It's a powerful piece--the words connect to one another through serpentine pen strokes--and aptly chosen. Lloyd, who was passionate about teaching, made this "beautiful writing" accessible to people in all walks of life, just as he made calligraphy at Reed prestigious worldwide...
The glass gallery doors carry a stenciled image of Thor's thunderbolt and Poseidon's trident, one of Lloyd's symbols that is featured in the show. Inside, we found outreach coordinator Greg MacNaughton '89, and curator Stephanie Snyder '91, along with gallery registrar Colleen Gotze, were busily putting the finishing touches on signage.
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