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Sonya Masinovsky - Student Art Coordinator

Becky Weisman - Masquerade Ball Coordinator

GEOFF finger - TECHNICAL DIRECTOR/stage manager

PAIGE KRAUS- technical consultant

The 2003 RAW STAFF,

Siiri Sampson - RAW Coordinator

MArgot Meyers - Program Writer

Rachel Wilsey - Design & Publicity Coordinator

Ariel Jacobs - Hospitality Coordinator



Table of Contents.

Letter from RAW Coordinator 2

Schedule of events 3

Patrick Nagatani & Leigh Anne Langwell 4

Sue Moir, Bev Toledo, Diane Ahrendt, & 5

William Ray Jr.

Sonia Sanchez & Pete Beeman 6

Student Art Listing (part I) 7

Student Art Map 8-9

Student Art Listing (part II) 10

The World Trade Organization 11

Andrew Dickson & The Yes Men 12

The Typing Explosion 13

The Coup 14

Masquerade Ball 15

Oslund + Co./Dance 16


Vollum Lounge Gallery Hours: Wed. 10:00am-7:00pm,

Thurs. 10:00am-3:00pm, Fri.-Sun. 10:00am-10:00pm


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For the past 13 years, the Reed community has devoted a week to the creation, appreciation, and discovery of art in all its forms. Each year, students, professors, and professional artists inundate the campus with their work.[Our goal has been to take this year's celebration a step further, not merely increasing the number of exhibits and performances as we've done, but to pick a theme which challenges both artists and viewers to reconsider their relationship with the creative process.

For the fourteenth annual Reed Arts Week, I present the theme: MANUFACTURE. What is the difference between creating and manufacturing? Does the concept behind the production of art distinguish the final product? How much does our idea of art depend on the notion of an organic creative process? Can a manufactured product still be art? The answers to these questions, if indeed they even have answers, depend on what it is that the artist struggles to communicate through his or her work. I hope that by encouraging this year's RAW contributors to consider the idea of manufactured art, we will all look more closely at the "creative process", that journey from initial inspiration to a final product, and think about the basis of what it means to make art.

The most important part of RAW this year is the increasing visibility & versatility of the student body art. All of the student artists, as well as all the student volunteers, are the essence of RAW; being a part of art for art's sake. Thank you all for your dedication.

Siiri R. Sampson,

RAW 2003 Coordinator


For their assistance and support, the RAW staff would like to thank Kristin Holmberg, Corey Landstrom, Donna Coyne, Ethan Jackson & the art department, Crystal Williams, bill ray & the division of literature and languages, Patricia Wong, Carla Mann & the dance department, the student body senate, silas cook, Ann Casey, Constance San Juan & the Conference & events staff, Jim holmes & audio visual, craig lauder & the print shop, Keith North & the Physical Plant staff,, max muller, nadine fiedler, KArl Nelson, The Jazz Collective, and the wonderful RAW volunteers.



4:00 Student art walk. Student Union Porch.

7:30 Sonia Sanchez, poetry reading. Kaul Auditorium.


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3:00pm-3:00am Jonathon Clark, Leah Page, Tim Russell,

"Mixed Paint". GCC-C&D

(performance will be held fri. & sat. at the same times.)

4:00 The WTO,"Hunger in Third World Countries" lecture by Aldritch Heviside-Spillinger III. Vollum Lecture Hall.

5:00 Daniel Lichterman, Jello Mimesis. Quad.

7:00 The Yes Men,"We are the Yes Men" lecture. Chapel.

8:00 Andrew Dickson, film shorts & presentation. Psych. 105.


8:30am-4:00pm Carlos del Rio,"Cog". Quad.

11:30am-2:00pm The Typing Explosion,creating manufactured

poetry while you wait. Commons.

4:00 Patrick Nagatani & Leigh Anne Langwell, Lectures.

Vollum Lounge.

4:00 Kristina Wilson,"An Afternoon of Mozart Opera". Chapel.

6:00 Reception for Glassblowing Exhibit. Library Lobby.

9:00 The Coup with DJ Rundown, concert. Student Union. Open to Reed students only, Reed ID required.


9:00am-12pm Mary Oslund, dance master class. Gym II.**

12:30pm-3:30pm Glassblowing Workshop at Dragonfly Studio. **

9:00 Masquerade Ball, music and dancing. Student Union.

Reed ID required.

** reserve space at the Student Activities Office.


3:00 Elliot Sharron, "Letters to Oprah". GCC-A.

4:00 Ashley Edwards, Brannon Ingram,"Tetra" short film.

Psych. 105. (film will be looped.)

8:00 Oslund + Co./Dance, Dance performance. Gym II. Free to Reedies, Reed ID required.




Vollum Lounge: Wednesday-Sunday ** co-sponsored by

the Art Department **

Photography by:


Leigh Anne Langwell


Patrick Nagatani

"Nuclear Enchantment"

Patrick Nagatani's, "Nuclear Enchantment" is a commentary on America's fascination with nuclear power. Nagatani uses ironic humor in his post-apocalyptic scenarios, emphasizing our inability to realistically grasp the tremendous threat of nuclear fallout. Each photograph is a collage, juxtaposing the recognizable against the distorted horrors of nuclear destruction. Nagatani has conducted extensive research into governmental atomic activity, including nuclear dumpsites, test centers, and accidents. He balances the grave political and social implications underlying his work with an appreciation for perseverance and regeneration, depicting otherworldly landscapes that seem enhanced by their nuclear distortions. An Associate Chair and Professor of Art at the University of New Mexico, and the recipient of many grants and awards, Nagatani has exhibited his photographs internationally.

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Leigh Anne Langwell's award winning "Photograms" reflect the New Mexico artist's background in biological and medical imaging. Langwell creates her photograms in the darkroom without a camera or negative, laying her own latex sculptures on photographic paper and exposing it to light pulses. The resulting shadowy images appear to offer a microscopic peek into the inner workings of the human body. Langwell envisions the interstitial spaces between cells as a conceptual landscape, where the abstract and literal meet. The organic quality and dark, oceanic spaces of Langwell's photograms intermingle notions of artistic and scientific creativity. Langwell has worked as a college lecturer, graphic artist, and a technical writer, and has been exhibiting her photography nationally since 1993. She has been recognized with many awards, including the James D. Phelan Award, a Wilard Van Dyke Memorial Grant, and a Francis Elkins fellowship at the University of New Mexico.



Excerpt from Untitled, 1999, Panels 3-4


Lecture by Patrick & Leigh Anne on nuclear mauf-acturing & photograms.

Friday, February 21,

4:00-6:00pm, Vollum Lounge

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Blown Glass by:

Sue Moir, Bev Toledo,

Diane Ahrendt,

-and- William Ray Jr.

On display in

Hauser Library,

Periodical Read-

ing Room:


This collection of work demonstrates why the

Pacific Northwest is known as the glass Mecca of the West. Glass art

encompasses a wide range of subjects, from the classic Venetian goblets

to free form sculpture. Each handcrafted piece is a unique blend of

imagination, technique, and chemistry. Diane Ahrendt, proprietor of dragonfly studios, finds "a strange delight in smashing a vase or bowl that didn't turn out right, only to use it in the next piece with wonderful results." Toledo, a painter and glass blower, has found the light and color properties in glassblowing to be similar to painting, although the reflective and refractive properties in glass are real rather than implied. These pieces remind the viewer that the production of utilitarian objects can be an inspired, creative act.

(Some works are for sale, price list available through Student Activities)


Reception for glass blowing exhibit. Friday, February 21, 6:00 pm,

Hauser Library Lobby.



Glass blowing Workshop at Dragonfly


Saturday, February 22, 12:30-3:30pm. Visit Diane Ahrendt's studio to learn about the techniques and skills required to create one of a kind objets d'art, by watching artists work with pipes, jacks, tweezers, shears, color, hot glass and fire.

** Sign up in the Student Activities Office **



Sonia Sanchez:

Poetry Reading

7:30pm Kaul Auditorium, Wednesday February 19, 2003

Sonia Sanchez is the author of over 16 books including "Homecoming", "We a BaddDDD People", "Homegirls and Handgrenades", "Wounded in the House of a Friend", and most recently "Shake Loose My Skin". Her honors include a National Endowment for the Arts grant, an American Book Award, a Pew Fellowship, the Langston Hughes Poetry Award, and the 2001 Frost Medal for Distinguished Achievement from the Poetry Society of America.

A founding member of the "Broadside Quartet," Sanchez is also known for her involvement in the civil rights movement and later in the black arts movement. She has lectured and read her poetry widely, nationally and internationally.

Sponsored by Reed's Multicultural Enrichment Committee with support from Reed Arts Week (RAW), Reed's division of literature and languages, and the Reed visiting writers series.

Sculpture by:



On display in Vollum Lounge: Wenesday-Sunday.

d Pete Beeman, a Portland based artist, applies his engineering skills to the design of interactive ki- netic sculptures. Based around ideas of motion, his sculptures come to life with a blend of clumsiness and grace. Beeman calls the functions of his objects "extravagant and useless, more often a play on utility than they are utile." For Beeman, engaging art is a form of communication. His creations confront our society's emphasis on efficiency, questioning the meaning of utility and functionality. Beeman holds a Master's Degree from Stanford University in Art and Mechanical Engineering, and has exhibited his sculptures nationally. His most recent large-scale installation, "Pod", can be seen (and touched) downtown at 10th Avenue and West Burnside Street.

Pete Beeman

"Portrait of the Artist as a Schoolboy"



student art

Ariel Jacobs: "Images of Object's Self". Photographs of discarded manufactured products gives new life to junk. Feldenheimer Gallery, Art Building.

Andrew Korson:"Who's Got Glass Balls?" Exhibit of seafloats, hollow blown glass spheres. Paradox Lost, and assorted elsewheres.

Angie Wilson:"Pixel Quilt". Mixed-material quilt designed from pixilated digital images. Location TBA.

Athena Hollins: "St. Kolbe, the Patron Saint of Caffeine". Tile mosaic in the likeness of Saint Maximillian Kolbe, patron saint of drug addiction and political prisoners. Paradox.

Bea Ogden: "Manufacturing the Revolution". Mobile and book hand constructed from revolutionary art and the artist's photographs of protests and direct action workshops. Feldenheimer Gallery, Art Building.

Becky Weisman: "Photos by Becky". A collection of photographs and lightboxes displaying the sublimely filthy suburban industrial wasteland. Paradox.

Beth Reddy: "Banner". Brightly colored clothing sewn jigsaw style into a large banner. Eliot HAll stairwell.

Beverly Lau: "R". Suspension of many small wire Reed "R"s. Student Union.

Cecily Swanson: "Portraits". Realistically rendered portraits and montage of school notes. Commons.

Christopher Bowersox: "Abstract Climbing Wall". The rocks and movement involved in climbing, synthesized into an abstraction made of wood and steel. Quad.

Clea Liquard: "Photographs of Industrialization". Black and white industrial photographs. Feldenheimer Gallery, Art Building.

Daniel Etra: "The Obstacle of the Concrete Arch". Too close for comfort? This arch of consumerism challenges each viewer to make a choice. Rose garden, South east of Vollum.

Happenings: where to go when you know.


Sonya Masinovsky: Student art walk and recognition. The who's who and where's what of student art at RAW '03 (a one hour tour) Departing from SU porch, wed. 4:00 pm.

Jonathan Clark, Leah Page, Tim Russell, and community: "Mixed Paint". Interactive painting experience. Music, tools, and surfaces will be provided. Gray Center, rooms C&D, thurs-sun 3:00 pm until 3:00 am.

Daniel Lichterman: "Jello Mimesis". gelatin art demonstrates the liquidity of popular imagery. Quad, Thurs. 5:00 pm to 6:00 pm.

Carlos del Rio: "Cog". Artist, tied to a post, masticates and deposits food as commentary on the production process. Quad, Fri. 8:30 am to 4:00 pm.

Kristina Wilson: "An Afternoon of Mozart Opera". Mozart performance. Chapel, Fri 4:00 pm to 5:00 pm.

Elliot Sharron:"Letters to Oprah". People come, discuss Oprah's untapped revolutionary potential, and then write her letters suggesting Oprah organize the masses. GCC-a, Sun. 3:00 pm to 4:00 pm.

Ashley Edwards & Brannon Ingram: "Tetra". Film presenting the internal narrative of Tetra, the first monkey to be cloned with the "artificial twinning" process. Psychology Auditorium, sun. 4:00 pm to 7:00 pm. (short film will be looped.)

Alea Adigweme: "Sin ropas, sin defensas". The artist's work contains twenty four black and white self portraits. It is up to the viewer to decide if there is a deeper meaning. Feldenheimer Gallery, Art Building.

Installations: all raw all the time.

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student art

Leigh Sellers & Arini Esarey: "Untitled". Painting by numbers. Gray Center porch, near Student Union.

Lizzy Scheibel, Colleen Duffy, & Jessica Pikul: "so.ill". Deep Fried Objects. Commons.

Malin Dawson: "The Manufacture of Lies and Death (La Maquiladora de Mentiras y Muertos)". Paintings and photographs addressing the problems in Mexican factories, particularly the killings of 280 young female factory workers since 1990. Commons.

Max Goldstein: "Searching for a Ghost". Artist displays his photographs along with reprints of old negatives in a memorial dialogue with his father. Feldenheimer Gallery, Art Building.

Nick Creamer & Kent Ureda: "Untitled". Life-sized chessboard (not made of humans). front lawn.

Rachel Sprague:"Untitled". Paper mache masks, each associated with particular animals and emotions. Sallyport.

Rebecca Ferris: "Posse". Color photography and collage. Feldenheimer Gallery, Art Building.

Shulie Seidler-Feller: "Untitled". Photographs from her summer in Ghana. Feldenheimer Gallery, Art Building.

Sonya Masinovsky: "Internal Dialogue". painted portraits. Paradox.

Tara Anderson: "Objectifying Experience". images and diagrams of human emotion. Vollum lobby, main floor.

Teresa Keirns & Gemma Petrie: "Contraception Mobile". Mobile made of discarded birth control pill packaging. Biology breezeway.

Virginia Griffin: "Karl Marx". Jelly bean portrait. ETC lobby, above fireplace.

more Installations: all raw all the time.

Dawn Teele: "Crime in the City". Cityscapes overlaid with poetic verse. Feldenheimer Gallery, Art Building.

Eileen Hlavka: "Truth and Falsehood, History and Artifacts". Paper mache Doyle owls await your discovery. We could tell you where, but we won't.

Elizabeth Cartozian: "Untitled". Stickers and t-shirts of pointing finger Here, there, everywhere. Confused? Try that way.

Elly Blue & Skye Drenguis: " Yeah, I'll call you". Mixed media installation of flirtation and decay. library lobby.

Emilie Broughton: "Curtains" . Found object curtains. Gray Center windows.

Emily Terhune: "Untitled". Photography. Feldenheimer Gallery, Art Building.

Jonathan Murphy: "There Was an Old Woman". Giant converse shoe. Quad.

Katherine Boyer: "Favorite Object". Portraits of people and their most cherished belonging. Commons.

Kati Sweaney: "This is Not". Continuing the project she began as a child, the artist labels the Reed campus with notes inspired by painter Rene Magritte, creator of "Ce n'est pas une pipe". Here, there, everywhere (ici, la bas, surtout).

Katie Wagner & Japanese Culture Dorm:"Origami Mural". Origami. Chemistry Building.

Kelley Healey:" untitled". found object collage. commons.

Kelly McCown: "Polaroid Fashion". Polaroid dress. Mailroom.

Krista Hanson & Jeff Neria: "Flaming Garden". Metal flowers reflect natural colors by day and give off a warm fiery glow by night. West lawn.




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The World Trade Organization


"Hunger in Third World Countries"

Lecture by Aldritch Heviside-Spillinger III

Vollum Lecture Hall. 4:00pm Thursday, Feb-

ruary 20, 2003

In developing nations, the concept of "manufactured" art is not an abstraction, but a very real part of the economy. Traditional crafts in the form of textiles, carvings, and other decorative objects may offer these countries a much-needed source of revenue with which to fuel expansion into modern production methods and technologies. Free trade is integral to the elimination of hunger in third world countries. As WTO Director-General Mike Moore has said, "At the moment, Least Developed Countries have less than 1 percent of world exports. I believe an effective way to prevent the further marginalization of Least Developed Countries from the world economy is through the launch of a new round of multilateral trade negotiations. A round offers the poorest and most disenfranchised among us the leverage to obtain wider access for their products, more funds for technical assistance and more flexibility in implementing their commitments under existing WTO rules."

Note from the RAW '03 staff: The WTO's positions on intellectual property, their support of the arts as witnessed by their sponsorship of an architectural design contest for their new European headquarters, and particularly their awareness of the artisan's role in third world economies, demonstrates that the WTO's presence on the roster of RAW events is the beginning of an important dialogue about the role of art as a commodity in the international market place.


11:30am-2:00pm, Gray Center Commons,

Friday, February 21, 2003

performance Art




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Part spectacle, part poetry, The Typing Explosion, , is a trio of Seattle performers who crank out assembly line poetry while you wait. The typists, each carefully coiffed and dressed in 1950s style secretarial attire, communicate through bells and whistles, and the occasional "Dear Diane" memo. Each poet contributes a line or two to the custom crafted verse before passing it to the next woman, pausing only for designated Local 898 union breaks. Lighthearted and spontaneous, the trio hopes to take some of the dour rigidity out of poetry, while paying tribute to hard working, well-educated women secretaries, like their mothers, whose career options were limited because of the era in which they lived. The Typing Explosion has become a national phenomenon with a loyal Seattle fan base, which helped make The Typing Explosion's first theatre piece "Dear Diane" a success.

"Towards the Destruction of Helsinki"

will you bend down and let me touch your hair in the night?

Even when I have hurt you during the day?

Will you move you eye lids around and pretend not to

Notice thatI am bending down xxxxxx kiss you



salamander to hold in my hand in Helsinki

rabid I am with unearthed notions

of love beyond the grave, morbid passions

for dead women's limbs. Oh, Helsinki

why is the light so dim?

-Sarah Paul Ocampo, Rachel LaRue Kessler,

and Sierra K. Nelson

(a.k.a. The Typing Explosion)



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Live in concert:

9:00pm, Student Union, Friday, February 21, 2003.

Open to Reed Students only, Reed ID Required.


Since forming in 1990, The Coup's

sound has grown from the basic sample-and-loop

aesthetics of "Kill My Landlord" (1993) and "Genocide

& Juice" (1994) to increasingly complex arrangements, "incorporating live instruments, multi-layered background vocals, interludes and skits, turntable scratching, and, as always, slumpin' beats capable of rattling in the trunk and in your noggin at the same time". As the group's primary producer, arranger and songwriter, Boots Riley, has been responsible for the evolution of the Coup's sound. DJ Pam the Funkstress, a member of the group since 1997, collaborated on 1998's "Steal This Album", and The Coup's most recent album, the uptempo, even danceable, "Party Music".

With their commitment to anti-corporate activism, The Coup is a rap group both your booty and your brain can feel. "Political music, to be viable, has to have a movement to go along with it" says Boots, otherwise, "if you're wearing the clothes and memorizing the lyrics, but you go home and you don't have anything in the refrigerator, you're gonna say, 'This music doesn't have anything to do with the material world.' So people will latch on to other ideas that actually do affect them in the real world. That's why the movement that I would like to align myself with is a movement that is about bettering your standard of living and getting paid, but also about a better way of getting paid, about getting paid together, and about enacting real, lasting change."

DJ Rundown



DJ Rundown, a member of OPUS X DJ crew, is one of the few remaining hip hop DJ's who produce, battle, and still find time to read all the latest lowrider bicycle magazines.

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9:00pm, Student Union.

Saturday, Febru-

ary 22, 2003.

Reed ID required.

So you've seen the exhibits, been to the lectures, and know all too well how your every thought, movement, and feeling are automated mechanisms, dictated by the industrial complex of 21st century life. Are you a cog? Just another gear in the machine? we say no!

Let the sights and sounds of the Masquerade Ball bring you back to your senses. Come spend the night celebrating RAW's climax. Give over to the organic beats, as lights and images pulse overhead. In the midst of a manufactured industrial wasteland, your groovin' body will remind you that you can live in a world of your own creation. Feel awed, feel inspired, feel human. Ain't life grand?

9:00pm - DJ Fidgit

Reed's favorite party DJ spins atmospheric rhythms of soul, funk, and hip hop, manufacturing a sound designed to get you moving.

10:00pm - Triclops

This Portland trio, John Sanders, Joe Sanders, and

Scott Pemberton, will get you dancing with the smooth sound of their "slow-boil" funk jams. Triclops uses guitar, big bottomed bass, and heavy doses of electric 70's organ to create the space age originals and unlikely covers which pack the houses at Goodfoot every Thursday night.



Performance Art

8:00pm, Gym II.

Sunday, February 23, 2003

**Co-sponsored by the Dance Department**

Oslund + Co./Dance

Open to the public. $15 general admission, $10 students & working artists. Tickets sold at the door.(Free to Reed Community)

Present:"Fold", "The Eleanor Trios", "Kinder Weather", "Fifty Infants" & new works in progress.

Mary Oslund, Artistic Director of Oslund + Company/ Dance, strives to create work that engages others in insightful, passionate and sophisticated exchange. Her choreography is marked by rigorous and expressive physicality, movement invention, intricate group work, and unusual partnering. Oslund's artistic vision is singular and idiosyncratic, technically complex and emotionally layered, urban and contemporary. The Company has received funding from the National Dance Project/New England Foundation for the Arts, Meyer Trust, The Allen Foundation, Oregon Community Foundation, Mentor Graphics, Templeton Foundation, National Endowment for the Arts, the Oregon Arts Commission, the Metropolitan Arts Commission, the Regional Arts and Culture Council, and the Lane Arts Council. Oslund has served on the faculty of The University of Oregon, Lewis and Clark College, Portland State University, and Reed College; and is the recipient of individual awards for her choreography including a National Endowment for the Arts Choreography Fellowship, an Oregon Arts Commission Individual Artist Fellowship in Dance, a RACC Individual Artist Award, and a Foundation for Contemporary Performance Arts (NYC) award in dance. Among others, Oslund + Company has been presented regionally by Portland Institute for Contemporary Art (PICA) and White Bird (2003-04 season).


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Master Class

9:00am - 12:00pm. Gym II. Mary Oslund and dancers will be leading a master class for intermediate/advanced level dancers. Free to the Reed Community, open to the public $10. Reserve space at Student Activities.