Students explore Reed's labyrinthine steam tunnels during O-week. Gary Granger
More than 100 incoming students descended into Reed’s labyrinth of underground steam tunnels last week on a series of expeditions led by Gary Granger, director of community safety.
The tunnels are among the oldest structures on campus and were originally constructed to house the pipes that convey steam from the Physical Plant to heat Reed's first buildings, including Eliot Hall and the Old Dorm Block. They are sometimes muddy, sometimes dusty, often difficult to navigate, and always mysterious.
Over the years, intrepid Reedies have found ways to lull the sentries, bypass the locks, and explore the subterranean passageways, leaving behind surreal artwork, mordant graffiti ("Simeon Reed's Country Club"), and the occasional garden gnome.
Olympian applauds as incoming student pours libation on steps of Vollum moments before the first Hum lecture of the year. Kevin Myers
As dawn’s rosy fingers hid behind the morning clouds, droves of freshlings on their way to their first Hum lecture encountered a spectacle wondrous to behold—a fully clad Pantheon of Olympian gods and goddesses greeting them on the steps of Vollum.
“Welcome!” cried the immortals. “You’re a Reedie now!”
The Pantheon is a light-hearted student tradition that celebrates Humanities 110, Reed’s signature multidisciplinary course which starts with the Epic of Gilgamesh and wends its way through the Code of Hammurabi, the Book of the Dead, Genesis, Exodus, the Book of Job, the Oresteia, the Iliad, Sappho, Herodotus, Thucydides, and Euripides (and that’s just the first semester!) The Gods welcome new students to the course and ask them to pour libations on the ground, re-enacting a Homeric custom.
The Class of '18 greets the new year on the Great Lawn. Leah Nash
Beneath the deep arches of the white tent on the Great Lawn, 414 freshmen and their parents and friends rose as the faculty marched in stately procession Wednesday to mark Convocation 2014. President John Kroger welcomed the students of the class of 2018 and—noting that some in the class would take five years to graduate—the class of 2019. “And if you already think you may wind up in the class of 2020, please come see me after,” he added. Kroger spent the rest of his remarks distilling for parents and friends the experience of being a Reedie: Humanities 110, collaborative work with faculty and students, and Portland’s unique culture, which, according to Kroger, students would have no time for.
Professor Jay Dickson [English 1996–] gave the inaugural Humanities lecture, titled “Everything You Ever Wanted to Know: The Iliad and the Enkuklios Paideia.” Prof. Dickson’s lecture centered on the meaningfulness of Homer’s Iliad to a liberal arts education. Why, he asked, is Homer’s epic so important to a Reed education that all incoming freshmen are required to read it even before the first week’s classes? The poem’s vast array of stories and characters proved foundational to an ancient curriculum. Students would learn reading, writing, rhetoric, and other subjects by using the poem as a point of departure. Thus, just as the Iliad invited the ancients to extrapolate from Homer’s story into other fields of knowledge, so the epic encourages freshmen to do the work of critical extrapolation, the foundation of a Reed education.
Ivan Sutherland, visiting scientist at the Asynchronous Research Center at Portland State University, received the Vollum Award. Sutherland encouraged the freshmen to follow their academic interests by posing a single question: “So, what turns you on?”
John Sperling '48 founded the University of Phoenix
[Editor's Note: We were saddened to hear of the recent death of John Sperling ’48, one of Reed's most prominent alumni. Here's an article about John from 1995 that we stumbled across in our archives.]
John G. Sperling ’48 had it made.
He was a tenured professor with sterling academic credentials and a respectable, though sometimes rocky, career. In another decade or so, he’d be eligible for retirement. Then he could devote his time to writing and travel, opera, and theater.
Prof. Melissa Schlachtmeyer [theatre 2012-14]
We are very sad to report the death of Assistant Professor Melissa Schlachtmeyer. Prof. Schlachtmeyer died in Italy on August 6 as a result of complications from breast cancer. Her husband, daughter, parents, and sister were by her side. She was 41 years old.
Schlachtmeyer joined the Reed theatre department in 2012 and was a beloved and valued teacher, mentor, colleague, designer, and friend. She was instrumental in developing the new costume shop and the current theatre curriculum. Read more about her broad-based career as a costume designer for opera, dance, and theatre.
“She was clearly a woman of great accomplishments and talent,” recalls Jay Dickson, professor of English & humanities, “I had looked forward to getting to know her better in the coming years, and I am so sad and shocked that now I won’t.”
Longtime Reed trustee Dick Wollenberg loved to play the saxophone. He also played a key role in overseeing Reed's financial management. “It is not an exaggeration to say that without his involvement, leadership, and generosity, Reed College might not have survived,” said former president Steven Koblik.
Emeritus Trustee Richard P. “Dick” Wollenberg died at his home in Longview, Washington, on July 2, 2014. He was 98.
“The Reed College community lost a great friend and benefactor,” says President John R. Kroger. “Through his generosity and leadership, he helped build the college into what it is today.”
Wollenberg served four decades on the Reed College board of trustees (1962–2005), inlcuding nine years as board chairman (1982–91).
He also chaired the board’s budget policy committee from its inception in 1992 until 2004. Projects launched with his support include the establishment of the president’s discretionary fund, the endowment of a professorship in economics in honor of professor George A. Hay [economics 1956–83], and the completion of several major science facilities projects.
Wollenberg’s influence ran deeper than any particular project, however. When he joined the board in 1962, the endowment was almost nonexistent. By 1972, it had reached $3 million, and by the time he left the board in 2005, the endowment was valued at $350 million. Today it is $538 million.
Hungry alumni swarm Marketplace at Reunions to taste creations of the culinary, mixological, and intellectual variety. Leah Nash
On Saturday afternoon of Reedfayre, the Performing Arts Building was abuzz with alumni, students, and families browsing the crafts, comics, cosmetics, and, most numerous of all, culinary creations, all cooked up by Reed alumni.
Always ready for a grand appearance, the Meat Smoke Crew greeted guests with enough pulled pork and brisket sandwiches to choke a Doyle Owl. Gigantic Brewing offered samples of its latest seasonal beers, including the Firebird smoked Hefeweizen, which founder Van Havig ’92 described as “like a peanut butter cup . . . two great things making one amazing thing.” Next door, Daniel Thomas ’89 served up delicious red and green tamales from his popular Portland restaurant Xico.
One of the most arresting displays belonged to Bob Combs ’90 of Combs Honey, whose table featured a transparent container filled with honeycomb—and live bees. Once drawn in by the bees, I couldn’t help but sample his blackberry honey and take home a couple slabs of honeycomb for myself.
A punctured torus being turned inside out. Topologists study these and similar vexing problems.
Prof. Kyle Ormsby [mathematics 2014–], who is set to start his tenure-track position at Reed this fall, is already bringing in the accolades. In May, Reed received a $172,146 research grant from the National Science Foundation for a project under Ormsby’s direction. The project “Structure and computations in motivic and chromatic homotopy” begins in September and continues through August 2017.
If the title leaves you scratching your head, Ormsby explains that the grant will provide support for his study of “some pieces of mathematics that lie at the intersection of topology and algebraic geometry.” Algebraic geometry, as you undoubtedly know, “narrows the focus of geometry, only studying shapes that are defined by polynomial equations.” Topology is the study of geometric properties that are unchanged by the continuous deformation of figures. For example, topologists consider doughnuts and coffee cups to belong to the same class (single-holed objects) because one could be stretched to resemble another.
“If topology’s objects are made out of saltwater taffy,” says Ormsby, “then algebraic geometry’s objects are constructed from peanut brittle—far more rigid and inflexible.”
Art major Maria Maita-Keppeler '14 came up with this T-shirt design for Reedies for Reedies, a student group that raises scholarship funds for an incoming freshman. Maria Maita-Keppeler '14
We’re in the final stretch.
Six days left in the fiscal year. Six days for the Annual Fund to reach its goal.
From time to time, alumni ask me what the Annual Fund actually supports. My answer: basically everything.
In the last year, for example, the Annual Fund helped Reed:
• welcome 356 new students to campus
• open a new Performing Arts Building
• hire 9 new professors from Harvard, Oxford, Yale, Cornell, and Stanford, among others
• license 22 students as nuclear reactor operators
• crown 321 scholars with thesis laurels
The Annual Fund’s dollar goal is an ambitious $4,084,000, a whopping number that is hard to wrap your head around. Just as important, however, is the goal for participation: 4,400 donors, out of a total pool of roughly 15,000 living alumni.
Figuring out why Reed alumni donate to the college may seem like a task for a psychic, but computational biologist Keith Allen ’83 is making strides armed with numbers and know-how.
A member of the Alumni Fundraising for Reed Committee, Allen has been exploring data on alumni giving for the past year. Presenting his findings at a Reunons 2014:Reedfayre Paideia class, “How Reedies Give: An Unapologetically Nerdy Exploration,” Allen showed the audience a new way of looking at (or looking for) alumni who give back to Reed.
The first lesson Allen’s exploration revealed is that consistency is king. Over the last five years, some 1,550 alumni made a gift to Reed every year. Contributions from that group account for a whopping $20 million—the lion’s share of the total amount given to the Annual Fund in that time.
Attorney Misha Isaak ’04 reads from a federal judge’s decision striking down Oregon’s ban on same-sex marriage as couples react at the headquarters of Oregon United for Marriage. Photo by Gosia Wozniacka/AP
Some cheered. Others howled. A few were wearing go-go boots.
Together, we made up a crowd of 200 people. We were at the Oregon United for Marriage campaign headquarters in Portland, smashed inside a conference room too small to fit everyone. We listened to Misha Isaak ’04. He stood behind a podium, speaking to a swirl of television cameras, tape recorders, microphones, and notepads. It was noon on May 19. This was the historic moment we had been waiting for.
We had had won. A federal judge in Eugene had just struck down the Oregon law that excludes same-sex couples from marriage. Weddings started that afternoon. By that evening, hundreds of us were dancing in the streets of southeast Portland, joined by a marching band named LoveBomb Go-Go.
Andy McLain ’92 (left) receives the Babson Award from Greg Byshenk ’89 on behalf of Meat Smoke Crew. Photo by Leah Nash
Reed alumni spanning five decades descended on Cerf amphitheatre last week for Fanfayre Friday, the start of weekend festivities for Reunions '14: Reedfayre, June 4-8. The mood was festive (possibly more than usual because the signature cocktail known as Plato’s Punch swirled among the celebrants). Greg Byshenk ’89, president of the alumni board of directors, took the microphone and bid people find their seats. From the start, he set the theme of Fanfayre as one of gratitude, thanking the volunteers and class leaders who had come together to organize Reunions.
Comedian Yoram Bauman ’95 was introduced as "the world’s first stand-up economist" and the author of the newly published The Cartoon Introduction to Climate Change. Bauman launched into a polished comedy routine where he divided the crowd into various parts of the political spectrum and proceeded to rib the right and the left in turn. He poked at the Tea Party as people who “believe in social darwinism but don’t believe in Darwin,” but refused to make fun of the Occupy movement because “you are not allowed to make fun of the dead.”
The Babson Society Outstanding Volunteer Award was presented to Reed's own Meat Smoke Crew, the alumni group that has been hosting Renn Fayre feasts since 1985. Accepting the award on behalf of the crew, Andy McLain ’92 extoled the value of alumni-student interaction. Meat Smoke, he said, offered students the “comfort of a warm fire and the likelihood of a warm morsel.” Based on his experience, he reassured alumni that Reed students have not changed. “The kids are alright, I promise,” he said.
Allie Morgan ’14 and Anya Demko ’14 installed a series of lasers and phototransistors on the spiral staircase in Vollum, turning the steps into a giant, twisting keyboard spanning two octaves on a C major scale. Photo by Tom Humphrey
Pythagoras proposed the harmony of the spheres; Anya Demko ’14 and Allie Morgan ’14 built the harmony of the stairs.
In April, the two physics majors installed a series of lasers and phototransistors on the spiral staircase in Vollum, turning the steps into a giant, twisting keyboard spanning two octaves on a C major scale.
To play the keyboard, you jump from one tread to another. Each time your foot lands on a tread, it interrupts a laser beam, triggering a musical tone. Stepping nimbly down the staircase generates the synthetic jig of an ice cream truck. Charging back up sets off an avalanche of organ tones that sound like JS Bach clearing his throat.
The two seniors spent many hours designing the circuitry, constructing the hardware, and installing the lasers in Vollum. “It was really a great experience,” says Anya. “This was the first time we really got to design our own circuits.”
"Yes Man" Igor Vamos ’90 (center) flanked by student divestment advocates Salish Davis ’15 and Austin Weisgrau ’15.
Political prankster Igor Vamos ’90, member of the media-jamming duo the Yes Men, ran true to form Monday at commencement ceremonies at Reed.
Vamos, who plays the character Mike Bonanno in the Yes Men, is known for sophisticated political satire, in which he often impersonates industry or government officials and concocts mock websites.
His latest prank was directed squarely at his own alma mater, however. In the middle of his commencement address, Vamos announced that he had learned over breakfast that the college was about to divest its $500 million endowment from fossil fuels.
SPELLBOUND. Creative writing prof Pete Rock wins Guggenheim to write a "fragmentary novel" titled Spells.
Peter Rock, professor of creative writing, has won a Guggenheim Fellowship to support work on his latest project, Spells. Known for the creative freedom they facilitate, Guggenheim awards are granted upon the basis of impressive achievement and exceptional promise for future accomplishment.
Spells is a fragmentary novel done in collaboration with five photographers. The idea came to Prof. Rock years ago while he was working as a security guard in an art museum. To pass the time, he would invent stories inspired by the artwork he was guarding. Examples of this project are found on his website.
Rock, who has taught creative writing in the English department at Reed since 2001, is the author of six novels, most recently The Shelter Cycle and My Abandonment, and a collection of stories, The Unsettling. His books have been translated into several languages, and his stories have appeared in magazines such as Zoetrope: All-Story, Tin House, Epoch, and Ploughshares; they have been anthologized widely. He attended Deep Springs College, received a BA in English from Yale University, and held a Wallace Stegner Fellowship at Stanford University.
English major Hannah Fung-Weiner ’16 nabs the Mary Barnard Academy of American Poets Prize.
Congratulations to English major Hannah Fung-Weiner ’16, whose poem “Pact” won this year’s Mary Barnard Academy of American Poets Prize.
The Reed contest was judged by poet Paulann Peterson, a former Stegner Fellow at Stanford University, who has written six full-length collections of poetry, most recently Understory (Lost Horse Press 2013).
Fung-Weiner wrote “Pact” for her fall semester creative writing class with Prof. Samiya Bashir [creative writing 2012–]. “I was given this list of 10 nouns (brick, chair, artichoke, branch, pine, shrapnel, paper, avocado, corn, iguana) alongside a prompt for a love poem,” she says. “My first draft of 'Pact' contained each word; several iterations later, none survive.”
Switchboard founder Mara Zepeda ’02 brandishes the Demolicious Cup. She is now the third Reedie in a row to win the honor.
Switchboard founders Mara Zepeda ’02 and Sean Lerner ’10 just cemented Reed’s reputation for producing outstanding online entrepreneurs.
On April 6, Switchboard won the coveted Demolicious Cup, awarded to the startup that makes the most persuasive pitch at Demolicious, a sort of wildcat convention for Portland tech entrepreneurs that began in 2008 and is held at the Mission Theater.
Switchboard is now the third Reed-affiliated project to win the Demolicious Cup. Previously, Zach Babb '12 won for his work with Globe Sherpa, a public-transportation mobile-phone application, and William Henderson '08 won for Knock, an automatic password-entering app.
White “frass” fills the overpass air,
a new word from the Master,
living off the dew of pine needles,
The Douglas F. Cooley Memorial Art Gallery has been awarded a Ford Family Foundation Facilities Grant to create a functional print and drawings study room for use by Reed College faculty, students, and the regional community.
Reed’s prints and drawings collection currently resides in a room created in 1989 during the Hauser Library renovation, which included the construction of the Cooley Gallery. The grant will assist in replacing non-toxic wooden shelving with metal flat files, furniture, and upright bin-racks. This, in turn, will allow for careful handling of the objects in the collection by visitors.
The renovation will coincide with the anticipated completion of a digital inventory of the gallery’s works, created using museum-standard management software. Combining the digital search capability with the new more user-friendly storage will bring vitality to the collection for all those who interact with it.
Bryson Uhrig-Fox ’10 knocks down the competition as he snatches the disc from students' awaiting grasp. Photos by Kimberly Durkin ’13
Experience and cunning overwhelmed youth and bravado two weeks ago as a team of alumni all-stars dominated Reed students 17-8 in an epic alumni-student Ultimate Frisbee game.
The upper soccer field outside the Naito-Sullivan dorms was spattered with a decade's worth of uniforms as lanky students in red huddled in one end zone to gather courage against the talent-laden alumni in black. Student team captains Sam May ’13, Daniel Dashevsky ’13, and Xander Harris ’16 rallied their players with jokes about alumni beer bellies. Alumni heavy hitters Bryson Uhrig-Fox ’10, Andrew Lynch ’12, and Shane Rubenfeld ’06 (who coaches the student team when he’s not playing against them) traded quips about the sleep-deprived students.